These diminutive hi-fi amplifiers are just £60 UK delivered if you buy direct from the manufacturers.

Just another chip amp?  No way – this uses the magical TA2020 chipset.  You like transparency but don’t want to pay £1k+? … this amp may well be the answer.

Yes, you can get more power out of, for example, the TA2022 or TA2050 chipsets.  And yes, they do sound very fine.  But … they don’t quite manage the transparent musical magic that I hear with the two TA2020 amps that I’ve tried.

The manufacturer says they’ve done some bespoke mods to the circuit of his Mini-T, and his amp does sound noticeably superior to the cheaper TA2020 I have also tried – it’s purer and smoother and altogether more enjoyable.

The Mini-T is ridiculously small (16x8x4cm) but very nicely made.   A single pair of inputs and stereo speaker terminals for banana plugs or spades (although spades might be a bit problematic due to space limitations).

Class D amplifiers are very efficient, with little of its power being wasted to heat the amp, so it runs very cool.

20wpc, the spec says, but that’s way optimistic in real world terms. I’ve heard that it measures at 10wpc into 8 ohms.

But it drives my 83dB/W MBL speakers with no problem as long as you don’t want to flex the walls, although the MBLs are quite an easy load impedance-wise.

Some might say that it is stupid using a £60 amp with £18,000 speakers.

I say, give it a listen!

It doesn’t always fare well with difficult speaker loads, or so I’ve found, but I’ve had reports that it works fine with most speakers. And this just might be the perfect amp for Quad 57 stats, although I have not tried this.  It also tends to get a little confused with very complex music compared to multi-£k amps, but is nonetheless way beyond the abilities of its price peers.

It doesn’t have the deep bass heft & slam of a good, larger amp, but the bass does go deep and is very tautly controlled.
Mids are gloriously open and very detailed.
Highs are perhaps a bit sharp, but not harsh and without the oft-encountered roll off that I usually hear in a typical class D amp.
Stereo focus / imaging is a little on the broad & spacious side, rather than pinpoint.

Where this little amp really excels is in resolution and transparency, which is where it’s at as far as I am concerned!.

I used this amp at the Scalford Hifi Show last  year (2011) with Tannoy 12 inch Monitor Golds in Lancaster cabinets – and it sounded absolutely fantastic.  A visiting hifi designer from a very upmarket firm was pretty much goggle-eyed in amazement when he heard it, and even peered behind the kit to make sure it really was this little amp that was wired-up and sounding so glorious!

So, yes, a major thumbs up, and as long as you can live with a single input – or just use it as a power amp with ‘sensitivity control’ plus a multi-input pre-amp – it’s just stupidly good vfm.

£60 UK delivered – money back if you don’t like it and you can’t say fairer than that.

OK, so I don’t use one now in my main rig, but I do in my second system with a valve output staged Marantz CD player and very nice Usher X719 speakers – it sounds great!

Use it in your office system, but if you try it in your main rig it just might end up staying there!

The short review – “Just buy one”.

The longer review -“Fantastic amp for beer money. Just buy one.”

Author -Jerry

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  1. I wholeheartedly agree with your assesment of tripath chipamps ability. I run diy versions from 41hz and they are the bomb…check em out at, there are even a couple of enthusiasts who will build you one, audiophool in the netherlands and vbro in HK . Seriously, these match my OTL valve amp for transparency.

  2. I bought an Amptastic Mini-T on a whim to see what all the fuss was about. It supplanted a modified 110wpc Hafler DH220 power amp and frankly I wasn’t expecting all that much from such a tiny box. Well, how wrong was I? I am driving the Mini-T with a Classe Audio DR5 pre-amp and a pair of classic B&W DM2 speakers currently hang off the back of the mighty midget Amptastic Mini-T and the sound this combination produces is just sublime. Compared to the same system with the Hafler installed, it’s as if someone has pulled open a pair of heavy, duty velvet curtains from in front of the speakers.

    As Jerry mentions in his review, it’s the amazing resolution the Mini-T is capable of that hits you first. No matter what music I play, or what source I employ, instruments and voices come alive with such natural timbre, one has to wonder whether some mighty, musical wizard has cast a spell which compacts every performer and musical instrument that has ever been inside of the diminutive but well constructed casework of the Amptastic amp, it truly is that good. Bass is extended and so very well controlled and mids are accurate and airy. Voices are reproduced with such accuracy I often have to remind myself that the amp cost only sixty pounds, and herein lies a potential problem.

    There are going to be some used to paying almost telephone number prices for their equipment who are going to be extremely sceptical that such a modestly priced amplifier can be considered as HiFi. My response to anyone who might think this is thus: Take out your credit card, hunt down the Amptastic Mini-T online and just buy one. Set it up in a system of your choosing, allowing it to warm up for thirty minutes or so. Pour yourself a nice glass of wine and then put on your favourite album, sit back in your listening chair and prepare to be amazed…

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