A new Anaview audio transformer with a wide frequency response for distributed audio systems delivering high quality music as well as voice content, is being unveiled by ETAL Group at NAMM (booth 5894). ETAL is also exhibiting the premium Anaview AMS and popular high end ALC Class D power amplifiers as well as the recently launched ALA credit card sized amplifier. More »
BD Audio have announced that they have been appointed UK dealer for Kii Audio Three, a new stand mound loudspeaker which really impressed Hifi Pig at the Warsaw Audio Video Show back in November. More »
Nord Acoustics got in touch to let us know they have launched a new case for their Hypex amplifiers in stereo and mono block version. More »
ETAL Group today announced that it has appointed California-based distributor Nexsun to distribute and design-in its Anaview Class D amplifier modules in North America. Nexsun will complement ETAL’s existing North American sales team on the East Coast, providing both demand creation and a logistical hub on the West Coast of the USA. More »
Amplifier Technologies, Inc. today added a new series of amplifiers. The AT5XXNC amplifiers use Hypex N-Core Class D output modules with ATI designed input buffers and linear power supplies and are available with two power configurations. The AT52XNC amps are rated at 200W RMS per channel at 8 ohms with 300W RMS at 4 ohms and are available with 2 to 8 channels. The AT54XNC amplifiers use two N-Core modules per channel in a differential bridged output configuration delivering 500W RMS per channel at 8 ohms and 900W RMS at 4 ohms. The AT54XNC amplifiers are available with 2, 3 or 4 channels.
These AT5XXNC series amplifiers break new ground in other ways. They are the first ATI amplifiers to use micro-processor control for turn-on delay and feature automatic AC power recognition and configuration. The amplifiers not only recognise whether they are hooked up to 117V or 230V nominal power, they automatically self-configure. The amplifiers also incorporate a new and novel “sleep” circuit. When the amplifier receives no input signal for a period of 10 minutes, power is removed from the output modules and a front-panel LED begins to flash. As soon as an input signal is detected on any channel, normal playback operation resumes instantaneously. With rated distortion below 0.05% and signal-to-noise ratio of 123 dB (minimum, referenced to rated output), each amplifier in the series is capable of playing back the full dynamic range available on today’s lossless recordings.
Morris Kessler, ATI’s president and chief engineer says “We are excited to offer amplifiers with ATI’s legendary high performance and reliability in designs that reduce amplifier weight by up to 50%.”
AT522NC Stereo Amplifier (200W RMS per channel) $1,895.00
AT523NC 3-channel Amplifier (200W RMS per channel) $2,295.00
AT524NC 4-channel Amplifier (200W RMS per channel) $2,595.00
AT525NC 5-channel Amplifier (200W RMS per channel) $2,995.00
AT526NC 6-channel Amplifier (200W RMS per channel) $3,295.00
AT527NC 7-channel Amplifier (200W RMS per channel) $3,695.00
AT528NC 8-channel Amplifier (200W RMS per channel) $3,995.00
AT542NC Stereo Amplifier (500W RMS per channel) $2,595.00
AT543NC 3-channel Amplifier (500W RMS per channel) $3,295.00
AT544NC 4-channel Amplifier (500W RMS per channel) $3,995.00
All ATI AT5XXNC amplifiers are covered by ATI’s 7-year transferable warranty and are available in standard (17”) chassis. A 19” rack-mount adaptor is available.