Audio4Soul is a small company based in Greece and they produce just two items, the Xtreme 16 (tested here) and the Xtreme 16 with USB streamer. The company has an interesting philosophy and one that will appeal to a good few people I suspect – they want to produce a straightforward product that simply allows people to enjoy theOLYMPUS DIGITAL CAMERA very best sound quality at a price point that is achievable for most people. They also recognise that not all music lovers want to have boxes and boxes of hifi equipment strewn all over their living room. Of course, having a box of tricks that does it all means you have more to spend on great quality loudspeakers and this is another important aspect of the company’s philosophy.

It’s an attractive looking bit of kit and worth noting that is it is built by hand, though I’m sure it will have its detractors – the front panel is reminiscent of a piece of lab equipment. However, there is a lovely touch on the top of the unit where the ventilation grill is a cut out in the shape of a treble clef. On the front of the unit there is an SD card slot, a power switch, a small red LED screen, a switch to alternate between optical input and coaxial and a host of LEDs to let you know the status of the machine.

So what is it exactly? With the Xtreme 16 you get a16 watts per channel integrated digital amplifier that has a powered DAC onboard with a PCM/PWM converter. You can connect a CD transport (or laptop with appropriate converter) using Spdif or Toslink (the unit uses a Wolfson 8804 receiver) or you can use the front mounted SD card reader to play Ogg. Mp3 or Wav files. Aceptable files are up to 24/96 (16/44 for the SD card). OLYMPUS DIGITAL CAMERA More »

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Benchmark have announced their new Digital to Analogue Converter the DAC2 D. The DAC2 D has the same performance of the company’s DAC2 HGC but without the analogue inputs and the 12V trigger. dac2-d-frontKeeping the specs inline with DAC2 D, it has” lower noise, lower distortion, improved accuracy, outstanding musical detail, precise stereo imaging, an advanced digital filter design, and a new high-sample-rate Asynchronous USB Audio interface”. All inputs are isolated from interface jitter by Benchmark’s new UltraLock2™ jitter attenuation system. Internal digital processing and conversion is 32-bits, and includes 3.5 dB of headroom above 0 dBFS. Four balanced 32-bit D/A converter are summed together for each balanced output. Benchmark claim that the new DAC2 D has an analogue sound.

Features:

  • Sample Rate Display
  • Word Length Display
  • More Digital Inputs (5 total)
  • More Analog Outputs (3 total)
  • Digital Pass Through
  • Native DSD Conversion
  • Polarity Switch
  • Asynchronous USB 2.0
  • Driverless Asynchronous USB 1.1
  • Home Theater Bypass
  • Power Switch
  • Low Power Consumption

Price is $1795

 

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M2 Tech, the Italian hifi manufacturer that brought us the well received hiFace S/PDIF output interface and the Evo m2techDAC, have introduced the hiFace DAC, an async 2.0 USB 384/32 DAC.

Details

The hiFace DAC includes: asynchronous data transfer mode on USB 2.0, compliancy to USB 2.0 Audio Class (no drivers needed for MacOS, IOS, Linux and Android), very low phase noise oscillators and last-generation conversion IC capable of 384kHz and 23 bits.
Windows users will enjoy it in Direct Sound, Kernel Streaming, WASAPI and ASIO (depending on the OS version), while Mac users will be able to take advantage from Integer mode and Direct mode.
While the hiFace DAC output is purposely designed to give its best with amplifiers’ and preamplifiers’ line level inputs, it may also be used to drive medium- and high-impedance headphones.

Specifications

Input 1 x USB A type male
Output 1 x 3.5mm stereo jack socket
I/O
Standard:    Input USB 2.0 Audio Format,
Output stereo analogue
Sampling Frequency:    44.1kHz, 48kHz, 88.2kHz, 96kHz, 176.4khZ, 192kHz, 352.8kHz, 384kHz
Resolution:    16 up to 32 bit
Output voltage:    2.0Vrms @10kOhms
Frequency response:    5-22kHz (fs=44.1kHz)    5-150kHz (fs=384kHz)
THD+N:    112dB (@ 1kHz, A-weighted)
Dimensions:    8.8(d) x 1.4(h) x 2(w)
Power Supply:    5V DC from USB bus
Weight: 20gr approx.

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Amphion and Antelope Audio will be co-exhibiting at the Sound & Vision Bristol Show in the United Kingdom, February 22 RUBICON– 24, 2013. The two brands are going to demonstrate a few different set ups, starting with mastering quality to easy-to-use desktop systems.

Visitors will have the chance to see for the first time in the UK the winner of the CES Innovations 2013 Design and Engineering Award, the world’s first 384 kHz digital audio preamplifier with integrated atomic clock – Rubicon.

In addition to seeing the Rubicon, visitors will be able to listen, and experience Antelope Audio’s 384 kHz USB D/A converters. The public will also have the chance to listen to original studio masters, from the same speakers with which they were mastered. Amphion Two15  studio monitors, as well as all other Amphion loudspeakers use waveguide technology and controlled dispersion,” which allow speakers to work in all acoustic spaces”.

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Meridian has announced the introduction of its Explorer USB DAC. The Explorer is a pocket-sized high-resolution USB 2785_Explorer_1DAC from “that delivers best-in-class sound from any computer”. Featuring a range of connectivity, the Explorer can be used in a variety of applications from private headphone listening to full system playback.

The Explorer is compatible with Mac, Linux or Windows computers and is a fully asynchronous, USB audio class 2 DAC.

Key Features

- 24bit/192kHz native conversion capability
- Separate low-jitter crystal oscillators for 44k1 and 48k based sample rates
- Asynchronous data transfer
- 6 layer PCB
- USB2 mini B socket – Plug and Play with MAC (Windows driver available)
- Direct-coupled outputs
- Variable line out – Full Analogue Volume Control for headphones or powered loudspeakers
- Headphone amp
- Fixed line out – 3.5mm connects directly to audio system
- Optical digital output – full resolution for receivers or DACS (up to 96kHz)
- Lights to indicate incoming sample rate
- Soft convenient USB cable provided for ease of placement to protect computer mother board from mechanical stress
- Hand assembled at Meridian’s UK headquarters.

Price £249, $299

 

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KEF has announced the introduction of the X300A, an active design primarily conceived to partner a PC or Mac desktop KEF_x300Aor laptop computer with inbuilt amps and DAC. Connection is via a 96kHz/24 bit USB digital input.

Unlike many typical active computer speakers, which have a single class D ‘digital’ amp on each channel, the KEF X300A has two class AB amps in each speaker, one for the LF/MF and one for HF.

Users have the ability to switch between desk, free space and desk/wall modes with high quality EQ, and the sound is adjusted to be optimal whichever location the speaker is put in. Desk and stand modes are selected by a switch on the rear panel of the master speaker; wall mode is selected via a foam plug for the rear mounted reflex port.

A standard 3.5mm analogue input is included so that mobile phones and MP3 players can be connected as a secondary source.

Price: £600.00 per pair.

 

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10. January 2013 · 1 comment · Categories: Hifi News · Tags: ,

British newcomer Computer Audio Design (CAD), is a specialist high-end audio company that aims to achieve the CAD DAC“finest sound quality from computer audio sources”. Designed and hand-built in the UK, CAD’s debut offering, the CAD 1543 DAC, has been built as a “no-compromise” asynchronous USB DAC.

The CAD 1543 DAC has been built on a design principle that seeks to minimise components in the signal path. The DAC is also unashamedly computer-orientated in recognition of today’s high-resolution digital music files and yet “has been designed to deliver the same natural, effortless sound that’s inherent in the best analogue source components.”

The CAD 1543 DAC is built around a dedicated, non-magnetic acrylic chassis, has been optimised to work with a computer and painstakingly designed to minimise disruption to the incoming signal. To this end, the DAC has a single high-quality USB input, plus one set of RCA outputs which the company says “enables the signal to pass through the DAC without encountering the highly degrading effects of unnecessary switching. It also allows a super-short signal path (of just 1cm) from the USB board to the DAC.”

Designed by Scott Berry, a British-based US-born electrical engineer, the 1543 DAC has been conceived over several years.

The CAD 1543 DAC also boasts “highly advanced” power supplies which have their own mains conditioning. The DAC also has a captive mains lead and eschews a mains power switch in keeping with the company’s fewer-components-means-better-sound philosophy. Further features include: extensive internal isolation; no active devices in the output and visco-elastic polymer feet.

Over 90% of the DAC’s components come from UK manufacturers, including the acrylic case, power transformers, PCB boards (and assembly), PCB supports, the LED backlight and mains power plug. The DAC is modular in design, allowing upgrades and updates to be added over the unit’s lifetime. The special acrylic casework also enables rear panel changes to be introduced cost-effectively if required, in the future.

The CAD 1543 is available now priced at £6,900 (standard finish) with custom finishes and colours available on request.

Technical specifications

  • DAC chips: 16 x TDA1543/N2
  • Input: single asynchronous USB, with full galvanic isolation from computer
  • Output: unbalanced RCA (extremely high-quality, low-mass Tellurium copper)
  • Sampling frequencies: 44.1kHz, 48kHz, 88.2kHz, 96kHz and 176.4kHz operation
  • Bit depth: 16 bit (will play any bit-depth)
  • Maximum output voltage: ~1.65Vrms
  • Output impedance: 135 ohms at 1kHz
  • Can drive most power amplifiers directly using digital volume control

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TEAC have recently announced the launch of a new series of hifi seperates called the 501 Reference series. The series 501-Reference_final_R976x488.pngincludes the AI-501DA class D integrated amplifier (pictured) with 192kHz USB Audio Input using BurrBrown PCM5102 D/A , the PD-501HR CD Player with 5.6MHz DSD-file-recorded disc nativeplayback, the HA-501full-analogue dual monaural headphone amplifier and finally the UD-501 DSD 5.6MHz / PCM 384kHz capable dual monaural D/A converter.

All the units are small footprint to fit on your desktop.

 

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The DAC-V1 is an asynchronous USB digital to analogue converter with multiple digital S/PDIF inputs, volume control dac-v1-nap100_news_0and a headphone amplifier.

  • High-speed asynchronous USB input up to 24bit/384kHz
  • 5 x S/PDIF inputs up to 24bit/192kHz (1 x BNC, 2 X RCA, 2 x TOSLINK)
  • Selectable fixed or variable analogue outputs (DIN or RCA)
  • Zero S/PDIF Jitter design in common with the original Naim DAC
  • Naim custom designed Digital Filtering with 16 times oversampling
  • SHARC ADSP21489 DSP for Digital Filtering and zero S/PDIF jitter
  • Classic discrete Naim preamplifier gain stage topology with selected components
  • High-quality Burr Brown PCM1791A DAC, in common with NDX and SuperUniti
  • Single ended Class-A headphone amplifier. Front panel ¼ inch headphone output
  • Optical isolation between digital and analogue sections
  • Naim digitally controlled analogue volume control for performance and precision
  • Linear power supply with 210VA transformer, windings for Digital, DAC and analogue stages
  • Operates with computers running OSX, 10.7 and above, Windows XP, 7 and 8
  • Floating or Chassis ground switch for optimum performance with any system
  • Field upgradeable firmware
  • OLED display for adjusting settings and checking incoming bit-rates
  • Control via IR remote control or front panel controls
  • DAC-V1 can control computer playback and volume
  • Compact non-magnetic low-resonance chassis and sleeve

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Sacramento based High-end audio manufacturer Light Harmonic has announced they will introduce the Da Vinci Dual DAC at CES 2013. Da_Vinci_013_Grey

Light Harmonic’s Da Vinci DAC utilises unique, proprietary design elements to “set a new standard of fidelity and musicality in digital music reproduction”:

A 384K/32 Bit Asynchronous USB input which accepts 384K/32 Bit pulse code modulation (PCM) digital audio without artificial up-sampling.

3-L Buffering provides a jitter-free, three-layer elastic buffer between the music source and digital sample conversion, completely decoupling speed fluctuations in the source, and enabling Da Vinci to convert music samples using the most accurate core clocks.

3X Clocks provides on-the-fly selection of one of three highly precise -166dB phase-error clocks, according to the sample rate of the input file.

However, a DAC designed for PCM playback will not offer optimal performance with DSD, nor will a DAC designed for DSD extract the best performance from a PCM source.

The new Da Vinci Dual DAC eliminates all constraints in performance by providing completely separate and discrete decoding engines for both formats: one designed and optimized specifically for PCM, one designed and optimized specifically  for DSD–hence, the name “Dual DAC”.

The new Dual DAC will be demonstrated in a system featuring components from Dan D’Agostino, Wilson Audio, Pass Labs and MIT Cables.

 

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Italian high end audio manufacturer Lector Audio has announced the DIGITUBE S-192introduction of their latest DAC, the Digitube DSD (Direct Stream Digital).

The new DAC is based on the  32 bit Dac from AKM and has an output circuit designed around vacuum tubes (ECC-81/12AT7).
The DAC accepts digital signals up to 192kHz/32bit and 384kHz/32 bit via USB. Also included are a word clock input and a SPDIF output.

T h e   d i g i t a l    i n p u t s   :

-  Spdif IEC-958 as RCA connector at resolution 192 Khz 24 bit

-  Spdif IEC-958 as BNC connector at resolution 192 Khz 24 bit

-  AES-EBU AES-3 as XLR connector at resolution 192 Khz 24 bit

-  Opto toslink digital input at resolution 192 Khz 24 bit

-  Asyncronous USB PC/MAC input at resolution 384 Khz 32 bit

 

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Polish Hifi maverick Lampizator has announced two new products to add to their range of high-end audio products.

Lukasz Fikus, owner ad chief designer had the following to say about the Level 6 “…no compromise, ultimate attempt on Lamp dac 6the state of art in music making. It is not about convenience, not about features and not about specs. It is only about music.”

The level 6 is available only to special order with an estimated waiting time of 4 weeks. Price is €4900 (plus 20% Vat in UK)

The second product announced from Lampizator is the Silk AC filter with 4 outputs and for 230V. There is one CLC filter for each outlet “which not only filters the incoming signal but separates your gear from one another.” Price is €500 plus vat as a kit or €700 plus vat for the assembled unit.

 

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Schiit Audio have announced its newest products, the $99 Magni headphone amplifier and the $99 Modi USB DAC. SchiitMagni offers a fully discrete design and Modi has an AKM4396 D/A converter and active filter output stage for driving long cable runs.  Both products are made in the USA.

“We’re excited to debut Magni and Modi,” said Jason Stoddard, Schiit’s Co-Founder. “Since our expansion, we’ve been working on seeing how far we can push the price/performance barrier, and Magni and Modi are the result. Combining large-scale production runs with highly automated assembly and efficient chassis design have really paid off.”

Magni delivers 1.2W into 32 ohms, and is capable of driving many orthodynamic headphones, as well as offering >100dB signal to noise for compatibility with many IEMs. It includes a 115V-compatible “wall wart” style power adapter in its $99 price. In addition, its distortion performance is less than 0.004% at 1V out across the audio band, and its output impedance is less than 0.1 ohm.

Modi uses the same CM6631 USB input receiver as Schiit’s USB module, running in USB Audio 1.0 mode for driverless operation at all sample rates from 16/44.1 to 24/96, including 24/88.

 

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The new DSX1000 is a digital network streamer that at its heart, boasts Chord Electronics’ proprietary DAC technology. The latest-generation Field Programmable Gate Array (FPGA) architecture found inside the DSX1000, is the same technology used in the company’s QBD76 HDSD DAC and the Red Reference MkIII CD player.

The FPGA handles all the digital data decoding, clocking, WTA filtering and the 5th generation Pulse Array DAC and

Key features include an inbuilt analogue volume control circuit, as used in Chord Electronics’ CPA8000 Reference preamp and the player also boasts both volume-controlled and line-level analogue outputs which feature both balanced XLR and RCA phono connections.

The network connection is via a fixed-wired ethernet port due to the bandwidth limitations of Wi-Fi for 24/192kHz support (ethernet-over-mains connections can also be used if required).

The DSX1000 is available now priced at £7,500 (standard finish); £7,830 (nickel).

 

 

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Ontario based Bryston LTD who are celebrating 50 years this year, has announced the introduction of the BDA-2  DAC. The Bryston BDA-2 is a stereo DAC using fully discrete Class-A Bryston analog circuits, two independent (analog and digital) linear power supplies and dual 32-bit AKM DAC chips. The BDA-2 also utilizes a new asynchronous USB input capable of 192/24bit resolution.

The BDA-2 has an array of inputs for USB, COAX, OPTICAL, AES-EBU and BNC-equipped digital devices. For audio outputs, the BDA-2 offers both balanced XLR as well as unbalanced RCA stereo connectors .

“With more and more consumers relying on their computers as a source of entertainment in the home, we felt it imperative to offer a DAC with high performance USB inputs,” stated Bryston’s James Tanner. “Additionally, the new 32-bit DAC chips deliver stunning resolution and detail. The BDA-2 was built upon the award-winning BDA-1 architecture, which emphasized isolation, low noise and imperceptibly low levels of distortion and Jitter,” Tanner concluded.

The BDA-2 has an MSRP of $2395 US.

 

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Parasound, the San Francisco-based manufacturer of high-end audio components, introduces the Zdac, a 192 kHz Digital to Analog Converter. Zdac is the newest addition to Parasound’s compact ‘half-width’ Z-Series product family and it is available in either a black finish with rack-mounting tabs or the new silver finish without rack-mount tabs.

“The Parasound Zdac brings digital-to-analog converter (DAC) technology to an entirely higher level of performance at a price comparable to many conventional aftermarket DACs,” said Richard Schram, President of Parasound. “The Zdac is an ideal upgrade for many components such as digital media players with less-than-optimal on-board DACs, or computer audio, TV audio, CD or other player with digital outputs. It is rugged, reliable, and easy to hook up. Once it is up and running there is little to do but enjoy the music.”

At the core of the Zdac’s design is Clockflawless(TM), a new method to eliminate jitter invented by Holm Acoustics in Denmark. It preserves the source signal in bit-perfect form, while restoring the timing information in the stream of the original recording. All timing errors introduced and accumulated during the transport phase are removed for SPDIF and Optical as well as USB.

The Parasound Zdac accepts 24 bit word lengths and all sampling rates up to 192kHz on SPIF and Optical and 96kHz on USB.

Both versions of the Parasound Zdac Digital to Analog Converter will be available the second week of November with a manufacturer’s suggested retail price of $475.

 

 

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Electrocompaniet is launching today a new integrated amplifier with a built-in DAC in the Prelude range. The amplifier is based on the PI 2 amplifier and boasts 2 x 100 Watts. Up to 5 Digital sources can be connected to the PI 2D: two Coax, two TOSLink and one USB. Analog sources can be connected by one balanced XLR input and four single ended RCA inputs giving a total of 10 inputs.
The PI 2D will have a RRP of 3150€

Technical specifications:
• Input impedance ( Single Ended ): 60 kOhm
• THD + N: < 0.005%
• Output Impedance: < 0,03  Ohm
• Frequency response:  1 – 225kHz
• Channel separation:  > 120 dB
• Noise floor ( 1Vrms, 20 – 20 kHz, balanced): <-130 dB
• Damping factor: >300
• Rated output power   8 ohms  2 x 100 W, 4 ohms  2 x 165 W,  2 ohms  2 x 220 W
• USB input: 192kHz/24bit Asynchronous
•  Weight: 11Kg

Price €3150

 

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Chinese manufacturer AURALiC launches VEGA, which they are calling “the next generation digital audio processor developed with the goal of seeking non-compromised sound”

With a Sanctuary Audio Processor at its heart, AURALiC introduces several “new and cutting edge technologies” with VEGA: ‘Megahertz upsampling’ algorithm processes all PCM music to 1.5MHz in 32bit; ‘Femto Master Clock’ provides “ultimate clock precision” with jitter of only 82 femtoseconds(0.082 picoseconds).
VEGA supports all high resolution music formats including DXD(352.8KS/s, 384KS/s in 32bit) as well as DSD stream at 2.8224MHz and 5.6448MHz. Five digital inputs include AES/EBU, Coaxial(set of two), Toslink and USB. The balanced and single-ended analog outputs can connect to a power amplifier directly, adjusting volume digitally and without dynamic loss. VEGA has six built-in filter modes allows users to customize according to different music formats and personal preference.
Suggested retail price: $3,499/ €3,299(incl. VAT)
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Resonessence Labs, whose Invacta Dac we previously reviewed, have announced they will introduce its latest product, CONCERO at this years RMAF in Denver 12th-14th October, just 12 months after releasing its award winning INVICTA product.
The CONCERO is the processing engine from the INVICTA DAC, packaged to be used with your existing high end
audio components. Capable of operating in three distinct modes, you may use CONCERO as a USB, 24bit/192kHz
Asynchronous DAC, an SPDIF DAC, or as a USB to SPDIF bridge. CONCERO reponds to the standard Apple IR
remote controller too.
In the USB DAC and SPDIF DAC modes, CONCERO provides ESS Sabre DAC analog output to the pre-amplifier
input of the user’s existing audio configuration. The new unit offers a choice of multiple up-sampling filters, including the Resonessence designed Apodizing and IIR filters, 44.1kS/s and 48kS/s.
In its third mode of operation CONCERO may be configured to run as a USB to SPDIF bridge and delivers ultra-low
jitter, 24bit SPDIF output.
Designed and manufactured in Canada, the unit is crafted out of an all Aluminum chassis and incorporates components such as the ESS SABRE 24bit, two channel DAC and the Xilinx Spartan 6 FPGA. Priced at $599US we
believe that CONCERO offers exceptional value.

 

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Toronto-based exaSound Audio Design has introduced the new, e20 DXD/DSD DAC - a stereo asynchronous USB interface supporting 384kHz/32bit PCM, and 2822.4/5644.8 MHz DSD.

George Klissarov, founder of exaSound explained: “The e20 DAC takes to the next level the remarkable bit-perfect, low-jitter accuracy of the e18 DAC. It is refined for the perfect stereo experience, has even lower distortion and noise levels, improved headphone amplifier, balanced outputs and DSD support. The e20 DAC enables the leading edge audiophile to play DXD and DSD master files in their native format, without any conversion or down-sampling, offering a perfect reproduction of the recorded material. e20 delivers recording-studio precision and realism – nothing added, nothing taken away.”

Features of the exaSound e20 DAC include:

  • Based on the ES9018 Sabre32 reference DAC chip.
  • e20 operates in asynchronous USB transfer mode.
  • Galvanic isolation between the USB and the DAC eliminates ground loops noise, and blocks computer-originated interferences.
  • Jitter minimization is achieved by using three precision quartz oscillators (0.13ps master clock).
  • Seventeen internal power cleaning stages.
  • Second generation high-fidelity headphone amplifier, capable of driving the most demanding headphones.
  • Simultaneously driven, gold-plated unbalanced (XLR) and balanced (RCA) outputs.
  • Two S/PDIF inputs provide jitter reduction and superb D/A conversion when used with CD transports.
  • Automatic sampling rate switching, up to 384 kHz software up-sampling.

Price is $2 499

 

 

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The Epiphany Acoustics E-DAC 24bit miniature USB DAC is the UK based manufacturer’s take on the well received NwAvGuy ODEC digital to analogue converter.

The E-DAC is a very small, well made and solid, brushed aluminium boxed unit and is not at all unattractive – it’s a little black box and for all its minimal qualities I find it quite attractive in the utilitarian sense of the word. Input and power is supplied via a mini USB input on the rear of the unit and line level analogue output is via a 3.5mm jack.

The unit is based on the TE7022L UAC1 engine, ES9023 24 bit DAC chip and it supports 16 bit and 24 bit at sample rates of 44.1kHz, 48kHz and 96kHz. There is an on-board filtered power-supply which Epiphany claim should make noise practically non-existent. The DAC is not clocked by the USB port/computer but by an on board crystal controlled oscillator and is compatible with Windows, Mac and Linux operating systems.

The diminutive little unit, for the purposes of this review, will be used with my desktop system: Windows PC, Sonic Impact T-amp Mark 2 and a pair of Linn Index Mk 1 loudspeakers.

First of all let me just emphasise how small this unit actually is – it’s tiny and measures just 6.5 cm x 5cm x 2 (wld). In the box you get the DAC, a short USB to mini-USB cable and four adhesive rubber feet.

Installation is a doddle as it’s plug and play pretty much with no drivers to load. Basically you wire the E DAC up and select it as the output device in the operating system’s audio set up and your away. I did have a small problem after a day or so when the loudspeakers started to make a static kind of noise. A quick e-mail message to Epiphany and a reset of my computers audio settings to “24 bit 96000hz Studio Quality” in the advanced tab of the speaker settings immediately sorted this problem. Oliver at Epiphany said that he had never had any issue that had not been solved by using these settings. Power for the E-DAC is via the USB so no need for batteries or an external power supply. More »

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The Burson Conductor is a DAC, Headphone amp and Pre-amplifier in one box.

At the heart of our DAC is the ESS SABRE32 Reference DAC chip with patented 32-bit Hyper-stream DAC architecture and Time Domain Jitter Eliminator technology. The Conductor also features the well reviewed Soloist Headphone Amplifier and a FET output stage Pre-amplifier.

The Conductor features a 24bit/192khz Tenor TE8802 USB receiver working in Asynchronous Transfer Mode. It also accepts coaxial and Toslink inputs supporting 32bit/192khz audio files. On the analogue front, it accepts analogue input via RCA and outputs in 6.35mm headphone jack, line-level output (DAC) and variable output (preamp).

Input impedance: 36.5 KOhms
Frequency response: ± 1 dB 0 – 50Khz
Signal to noise ratio: >96dB
THD: <0.03% at 30ohm with 1W ouput
Channel separation: >73dB
Output power: 4W at 16 Ohms
Input impedance: >8K Ohm @ 30 Ohm, 1W
Output impedance: <1 Ohm @ 30 Ohm, 1W
Power dissipation: >45W, internal, regulated power supply

Price $1850

 

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When I was asked to review this little headphone amp I was a little hesitant as to what to expect, but I was assured by the UK distributor that it was a goodie.

Let’s get the technical spec out of the way first. This is headphone amplifier and USB DAC in one compact little unit with a power output rated at a healthy 1 Watt per channel in Class A. It has a switch on the back to switch between 32, 120 and 300 Ohm headphones, two stereo line inputs, a stereo minijack input, a USB input and a stereo line output. It can also be used as a preamplifier…more of which later.

In the packaging you get a small instruction manual, a pair of white gloves, the amp and its hefty separate power supply. Valves fitted are 1x6N2X1, 1 x 61X1 and 1x 12AX7X1 and the whole caboodle weighs in at 5Kg.

It’s an attractive little unit being matt black aluminium with the valves being kept from harm behind individual transparent ‘cages’. On the front of the DARED is a large input selector knob where you can switch between Line 1, Line 2, Aux and USB, a volume control dial, the headphone output socket and a round, illuminated VU meter which lends the amplifier a somewhat retro feel. It’s a nice looking bit of kit measuring 180 x 220 x 150mm (LWH).

You may not have heard of DARED but the Shenzhen Danyigao Audio Equipment Limited was founded in 1995 with the “sole purpose of designing and manufacturing vacuum tube audio equipment” and DARED is the company’s registered trading name. The name DARED derives from the Chinese pronunciation of ‘Dan yi gao’ which means “high-end tube amplifier and artistry” – In English the company use “Daring, Artistic, Reliable, Elegant and Definitive” as their mantra. DARED kit is designed and manufactured in Shenzen, China, the company say that all their products are thoroughly tested electronically and by ear before leaving the manufacturing plant and that every unit is properly “run in”. The units all bear the CE mark and letters of authentication can be found on the company’s website. There is a wide range of amplifiers in the company’s portfolio with the T300P monoblocs being their flagship product – a pair of these amplifiers boasts no less than 16 x 300B valves and weigh in at 95Kg for the two!

For the purposes of this review I’ll be using the DARED with a Wilson Benesch Circle turntable fitted with a modified Rega RB250 arm with an Audio Technica AT33EV moving coil cartridge, through an Electrocompaniet ECP 1 phono stage. For Redbook CD I’ll be using the Unison Research CD Primo and I’ll be using the Hi Sound Audio Studio digital audio player into the auxiliary input to test that out too. The USB DAC input will be fed by a netbook computer with FLAC files. Headphones will be primarily Grado 325i. More »

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US Company Channel Islands Audio introduce their 24 bit/192k Transient MKII asynchronous USB converter.

The heart of the system is the company’s XMOS based circuit, utilizing extremely low-jitter clocks. Multiple digital outputs are available via isolated 75 ohm BNC (with included 75 ohm RCA adapter) and two individually buffered I2S outputs.

In addition to the digital outputs, Transient also provides Digital to Analog conversion. The conversion is done by a Wolfson circuit with a built-in high resolution volume control and 2V RMS output. A microprocessor circuit allows configuration for fixed (line level) output, or variable volume control, and also indicates the sampling frequency of the incoming signal.

The Transient is powered by the USB cable so you can plug into your computer audio and take it on the go. CI Audios VDC-5 MKII Upgrade Power Supply can be connected to the DC Input port for improved performance.

Price $699

 

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Bel Canto introduces three new Asynchronous USB Link Converters; the entry-level  mLink the uLink, and top-of-the-line REFLink. These new USB Link Converters isolate the music signal – and clocks – from the harsh, noisy electrical environments of computers and music servers.

The new Bel Canto Link Converters take the USB output of your computer and deliver ultra-low jitter S/PDIF for your favorite DAC. All three USB Link Converters feature native MAC USB 2.0 compatibility, a custom Windows USB 2 dirver and operate at 16- or 24-bits at 44.1, 48, 88.2, 96, 176.4 and 192kHz on a proprietary 500MHz DSP Core.

The REFLink is a full AC-powered e.One chassis using the same LNS (Low Noise Supply) as the DAC2.5. “As lowered noise allows clocks to dominate the sound, the LNS dramatically lowers line noise with multiple stages of isolated power that drive individual sections of the circuit.”  The output clocks and line-drivers are powered by a separate low-noise power supply.

The ST Fiber output allows high speed transfer for anyone with a Bel Canto 3.5VB Mk II or you can run SPDIF on BNC or AES/EBU to any other DAC. The REFLink features Dual Ultra-Low Phase-Noise Clocks and triple galvanic isolation. The adjustable display shows the incoming sample rate.

Specifications

  • Input: High Speed USB type-B receptacle
  • Output:
    • Coaxial SPDIF on BNC 75Ω
    • Balanced AES on XLR 110Ω
    • LightLink ST Fiber
  • Supported sampling rates:
    • 44.1kHz
    • 48kHz
    • 88.2kHz
    • 96kHz
    • 176.4kHz
    • 192kHz
  • Supported word lengths: up to 24-bit
  • Dimensions: 8.5” W x12.5” D x 3.5” H (216mm x 318mm x 88mm)
  • Weight : 14lbs (6.5kg)

 

 

 

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