We received a press release from Sonance about an interesting looking hifi set up for use in the garden. The SonArray Untitled-1garden sound system by Sonance comes packaged in a single box with eight horn-shaped SR1 satellites and an underground subwoofer (should keep the moles at bay too).The simple daisy-chained loudspeakers attach to any standard two channel amplifier and the system will cover an area of 185sqm.

The company say that it produces sound quality and coverage “far beyond the reach of conventional garden rock speakers”. The Sonarray SR1 speakers, just 4 inches in diameter, are discreet enough to be located under plants or foliage, so the system won’t compromise your garden design or hard work.

Facing inwards from the perimeter and directed by the satellites’ horn-shaped enclosures, the SR1 is less likely to spill into adjacent gardens which should keep your neighbours on-side too.

Price is £2500.

 

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I have spent the last 3 months working myself into such a state of excitement about getting to grips with some Trios atOLYMPUS DIGITAL CAMERAthe show that by the time we got there I was as uncontrollable as a fractious toddler who doesn’t know whether to wee themselves or throw their haribo on the floor in a tantrum!

I have lusted after these speakers for some time, I’ve seen/heard their smaller siblings but I want to get up close and personal with the big, bad trios and their full set of six bass horns;

I’ve got to the point where all I need to choose is the colour.  This wavers from cherry red to the light champagne /bronze finish depending on my mood.

I have even mentally designed my ‘lottery winner’ house (Bauhaus inspired, open plan) around these speakers…all this amuses the life out of Mr Hifipig! More »

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Reference Fidelity Components, under the leadership of our own Paul, has announced the launch of it’s all new, full IMG_6705range loudspeaker which they are calling the Reference Fidelio – a loudspeaker that has been created to be a “final destination”.

 

This floor standing loudspeaker utilises the legendary Tannoy 12 inch DC driver to deliver “breath-taking dynamics, scale and imaging”.

Each loudspeaker is hand crafted in 24mm Birch Ply and finished in a choice of real wood veneers.  Front baffle edges are made from solid American Black Walnut.

Internal crossovers are hand built using “very high quality components throughout” including Claritycap ESA capacitors and Janxten air-cored inductors. Furthermore each components is hand picked to be within 1% tolerance.

It’s a front ported design and the cabinets are said to be exceptionally stiff, with interior bracing and panel surface damping designed to reduce panel resonance amplitudes in the critical mid-range frequency area. Not surprisingly each cabinet takes 80 -90 hours to complete.

 

The Reference Fidelio is available for audition or review.

Technical Specifications

  • Frequency Response:  28Hz-20KHz (-6dB);
  • Sensitivity:  92dB/1w/1m
  • Nominal Impedance:  6 ohms (easy load)
  • 25mm Solid Birch ply braced cabinet, choice of real wood veneers and finishes;
  • 35mm ply/mdf laminated front baffle for low resonance
  • Hand built and tuned custom crossovers.
  • Net volume:  160 litres
  • Dimensions: 1280x525x425mm;  70Kg approx per loudspeaker.
  • Recommended amplifier power:  From 25 Watts, valve or solid state

Completed Loudspeakers:  £6, 495.00, Cabinets Only:  £4,950, Cabinets plus Crossovers:  £5,250 all depending on the veneers you choose.

 

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Birch Audio are a new company based in Omaha, Nebraska and have very clear aims in the manufacture of their loudspeakers  – “To ravenmake exceptional minimalist audio equipment”.

To this end the company currently produces The Raven, The Robin, The Falcon and the Finch loudspeakers.

In all their models they use Birch Ply and wideband drivers negating the need for crossovers.

The Raven (pictured) is priced at €7500, The Robin at €3500 (including stands), The Falcon €2500 and The Finch at €750.

 

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Bryston, has announced the introduction of a complete line of loudspeakers for both music and home theater Brystonapplications. The line will consist of eight models including the floorstanding Model T, Middle T and mini t along with a powered subwoofer called the T sub, two center channel offerings, an in-wall and an on-wall loudspeaker.

“I think we met with a degree of skepticism when we first announced the loudspeaker project—and rightfully so. There are a lot of speaker companies already in the marketplace,” reported Bryston’s James Tanner. “But we set out to create an affordable reference quality loudspeaker and went to great lengths to achieve an end result that separates us from the competition—we are confident that these products will be quite well received,” Tanner concluded.

The top of the range Model T Active will retail at $9495 whilst the Model T will retail at $6495. The Middle T will be $4600 and the mini t $2695.

 

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Thomas Scherer is the Managing Director and chief creative force behind the German loudspeaker manufacturer Thomas Scherer Audio Engineering. TSAE make just two loudspeakers at the moment, the striking and very contemporary looking transmission line Evince and the more conventional looking sealed box loudspeaker Elation. More »

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Introduction

These must be one of the more controversial loudspeakers from a small British manufacturer to come along in recent caterthuns_pair_011years.  Alacrity Audio’s claims for this small standmount loudspeaker are nothing if not bold!

Take a look at this technical specification ;

Power Handling: 200 W (110 RMS)
Sensitivity: 88 dB
Nominal Impedance: 8 Ohms.
W x H x D: 205 x 415 x 250 mm
Weight: 10kg per cabinet
Frequency Response: sub-sonic to 20,000 Hz +/-3dB
Crossover Frequency: 2.25 khz
Bi-wireable: Yes
Connections: 4mm Gold
Bass Port: Front Reflex
Drivers: LF 17cm Bass Mid / HF 20mm Soft Dome
Optional Extras: Flight Case

Recommended Stand Height: 50 – 60 cm

…. Power handling, sensitivity, crossover point, bass loading, dimensions … blah de blah … frequency response 20KHz down to sub-sonic with +/- 3dB limits … impedance, driver size, connections ….

Whoa! …. Hang on …. you what? — subsonic frequency response?  Have the laws of physics been rescinded or written anew for this speaker?  Interesting indeed.

They aren’t a budget-priced speaker, but at £2,000 a pair they compete with many including ProAc.  I’m not sure the fit & finish is up to ProAc standards, but it is perfectly fine.

No grilles are provided, so proud parents whose little darlings may have cone- and dome-prodding fingers had better be careful! More »

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Coincident Speaker Technology based in Ontario, Canada, have contacted Hifi Pig with news that they are adding two new valve amplifier designs to their stable of products, which already includes valve amplifiers, preamplifiers, loudspeakers and audio cables.
The Coincident Turbo 845SE amplifier is “built and designed to be an all out assault on integrated stereo amplifiers”. It is constructed as true dual mono with the only shared component between the two channels being the chassis. The Turbo 845SE has been created “for those who do not want to compromise quality or performance but are limited to space which preclude mono amps and a separate preamp”. The Turbo has a remote control, line stage and stereo amplifier all in one chassis.The Turbo has a large power supply and generates 28 watts per channel which means it should be suitable for use with most loudspeakers.
Features:
Single ended 845 output- 28 watts per channel
Pure dual mono
All hard wired
6EM7 input per channel, 300B driver tube per channel
3 Inputs
Remote control
100 lbs.
Price:$5499 US
The Dynamo 34SE is a more budget approach.It has a single ended triode tube sound that “belies its 8 watt power rating” and Coincident say that any 90 db sensitivity speaker can be powered.The Dynamo 34SE is available for under $1000.
Features
Single ended EL34- 8 watts per channel
6SL7 input/ driver tubes per channel
5U4 rectifier
All hard wired
Stainless steel mirror finish
22 lbs.
price:$999 US
At the time of writing no images were available but Hifi Pig will of course bring you these just as soon as we have them.
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Von Schweikert Audio announce the VR-100XS speaker system.  All aspects of its design have VonSbeen approached with the goal of an “acoustically holographic listening experience of a live musical event”.  To achieve this, the company have engineered an all-new Noise Reduction cabinet construction based on their Triple-Wall constrained layer patent, a matched driver array using the same magnesium diaphragm material from woofer to mid to tweeter for coherent timbre response, transient-response “speed” matching of the driver array using proprietary servo-controlled filter circuits instead of a “crossover,” and room-correcting subwoofer design that eliminates the standing wave phenomena through the entire room.

The speaker drivers are implemented as a vertical array as in the company’s VR11-MkII.  As recording microphones are “point sources” Von Schweikert have designed a Point Source concentric driver array to  recreate a “holographic experience”.  The initial source of the focal point is the centered tweeter, with concentric arrays of midrange and woofer drivers.  On the rear of the tower is a two-way Ambience Retrieval System that will complete an omni-directional spherical-wave radiation pattern.

In each VR-100XS tower, the four 7″ woofers and two 5″ midrange drivers are custom-designed, ultra high speed, non-resonant magnesium-coned units, damped with a layer of ceramic oxide.  The cone material is extremely light, rigid, and tonally accurate and the company says “surpasses any electrostatic driver for transparency”.

The newly designed ribbon tweeter, placed centrally in the array, has both ultra wide frequency response and wide dispersion due to a proprietary wave-guide.  Transient response matching of the drive units, from the 15” magnesium-coned subwoofers up to the 2”  magnesium foil/Teflon ribbon super tweeters is controlled by a proprietary circuit with “servo control” using the drivers’ back-emf for sampling of the signal versus driver response “speed” in actual “real” time.  A feed forward circuit was designed to electrically damp the driver behavior to match each other driver as closely as possible.

The new one-piece cabinet is massively constructed and each tower weighs over 460 pounds. The Main Towers are 1ft wide x 6ft tall and are available in many high quality automotive finishes.

The external sub-woofers, the “XS” of the system, are also an all new VSA engineering solution.  They are designed to be placed near the rear of the listening area and are aimed at the main towers. Von Schweikert’s new patent pending technology will “eliminate room response anomalies when integrated with the already outstanding bass performance of the VR-100XS towers”.  The XS subwoofer amplifiers have Time Delay controls to adjust the response for the room dimensions and can be adjusted to compensate for standing wave modes in any room, no matter the size.  “The elimination of standing bass waves in the room is not achieved by equalization in the subwoofer amplifier, but is achieved by acoustical cancellation of Eigentones throughout the room, without any digital implementation of any sort”.

Bass extends down to 10 Hz and has transient response speed and clarity that equals the response accuracy of the loudspeaker’s midrange drivers. The supplied subwoofer amplifier is designed and built in the USA; it supplies over 1,000-watts r.m.s. into each of the four voice coils of the Super Duty High-Speed Infrasonic Subwoofer driver.  With a 60 pound  motor and four 5” voice coils configured in Push-Pull operation, the 15” magnesium cone with a 3” total excursion potential has the” lowest distortion and quickest transient response speed of any subwoofer on the market”.  A Signal Sensing Cable made by Delphi Aerospace is supplied to connect the Main Towers to the Sensing Inputs of the XS subwoofers – the subwoofer signal is not sent from the preamplifier.  In order for the subwoofer to “follow” the main woofers, Von Schweikert have implemented a ‘servo-controlled’ feedback loop from the main woofer’s back-emf (electro motive force) output to “tell” the 15” woofer where to go, in terms of speed and tonal quality.

The rear-facing implementation of the VSA “GAIN” Ambience Retrieval System “breaks new ground”, as Von Schweikert have engineered a solution to recreate the desired dispersion pattern of an omni-directional speaker system. This required a dipole implementation of a rear wave that combines with the front wave to generate a “side beam” of sound to enhance the “openness” of a live performance.  Using both a 1.25” dome midrange and an additional 3” ribbon super tweeter, the 2-way design operates from 1,5kHz to 100kHz.  “The 1,5kHz frequency was chosen by examining the polar response of the front driver array’s response at 90-degrees off axis”.  When both the front and rear driver arrays are measured, the speaker behaves as a quasi-omni speaker, similar to a cardiod pattern as in recording microphones.  This new “HGAIN” technology couples with the front drivers, completing the you-are-there holographic experience.

Relevant specifications at time of publication are: $145,000 for the 4pc system consisting of two Main Towers and two XS subwoofers with 15” drivers and 1,000-watt amplifiers.  Main tower is 6 ft tall x 1ft wide x 30” deep with a weight of 468 lbs uncrated.  The XS subs are 176 lbs @ 24” x24” x 24”.  System sensitivity is 90dB, impedance is 4-ohms, recommended power rating is 50 watts to 1,000-watts, frequency range is 10Hz to 100kHz.  Main Towers have Autoformer Level Attenuators for front Tweeter and Rear Ambience.

 

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Luxury high end audio manufacturer Gryphon Audio Designs of Denmark is celebrating the launch of their greatest Gryphon_pendragonloudspeaker achievement yet, the four-tower Gryphon Pendragon.

Conceived to be partnered with the Gryphon Pandora preamplifier and Mephisto (stereo) or Mephisto Solo (monoblock) power amplifiers, the three-way Gryphon Pendragon system employs a bass tower (eight 8” bass drivers per channel driven by a custom-designed 1000 Watt Gryphon Class A/B power amp) and an open baffle mounted with a two meter long dipolar planar magnetic thin-film ribbon (covering the 200 Hz – 18 kHz with no crossover in its operating range) alongside a vertical array of four dipolar Air Motion Transformer super-tweeters, specified to beyond 32 kHz.

Gryphon founder and CEO Flemming E. Rasmussen elaborates, “We had committed considerable resources over the past decades to solving the many inherent problems of crossover networks, but it has always been in the back of our minds that eliminating a problem altogether is a far more elegant solution. By coming up with a single, broadband drive unit with ideal sound reproduction and mechanical behaviour across more than seven octaves, Gryphon Pendragon eliminates crossover components in the critical mid frequency range, preserving spectral and temporal integrity.”

Price is €150 000.

 

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KEF has added a Linear White and Rosewood finish to its Q Series speaker range. The Q Series uses the Uni-Q driver Q900_rosewood_pair2array and bass drivers which help deliver an “extremely detailed and spacious sound image even from the smallest models”.

There are nine models, including three floorstanders, two bookshelf speakers, two fully specified and timbre-matched centre channels, dipole surrounds and a powerful 200-Watt subwoofer in the the Q Series loudspeakers representing a wide choice of options for either serious two-channel or home cinema applications

 

 

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KEF has become provider of custom loudspeakers to Princess Yachts and their Ci160TR loudspeakers will be featured in 2753_Saloonthe boat company’s motor-yachts of 60ft and above.

The yachts have exquisite interior spaces akin to luxury loft apartments, and the KEF Ci160TR fits “perfectly between the extremely narrow bulkhead spaces”. With a depth of just 30mm, it’s the slimmest full-range Custom Installation speaker in the Ci industry.

With an advanced 4.5in mid/bass driver and 1 in tweeter featuring KEF’s patented Tangerine Wave guide – creating a wide sound dispersion – “the Ci160TRs’ performance is nothing less than remarkable”. They use an utra-thin bezel, magnetic and moisture-resistant grilles, and wider mounting legs for improved force distribution when fitted. Where every millimetre is at a premium, the Ci160TR is perfectly suited for placement within the beautiful cabins of Princess Yachts.

 

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A year ago Kudos launched the Super 10, a development of the Cardea series stand-mount loudspeakers and now, aSuper 20 year later, Kudos has applied the same concept to their Cardea series 2-way floor-standing loudspeakers to produce the Super 20.

The Super 20 combines the Kudos Crescendo K2 tweeter from Kudos’ flagship Titan T88 loudspeaker together with a newly developed main driver which features a hand-treated paper cone, 26mm diameter voice coil, aluminium phase plug and a copper shorting ring to minimise eddy currents.  The two drive units are unique to Kudos and have been developed to integrate seamlessly with a very simple crossover.

In the crossover itself Mundorf inductors and resistors are used as well as Mundorf Supreme gold, silver and oil capacitors.

The Super 20 cabinet is manufactured from 18mm high density MDF and finished with either real wood veneers, or a satin white paint. The reflex port is situated on the bottom of the cabinet to enable more flexibility in placement within the listening room; this incorporates the damped flexi port design from the Kudos Titan T88.  The plinth provides a fixed boundary gap for the port to work optimally as well as providing additional stability.  The plinth itself is a tri-laminate design of high density MDF, a damping compound and a steel base providing stability and mechanical grounding properties.  Stainless steel spikes are also included for grounding the loudspeaker to the floor.

 

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Harman’s JBL announce the introduction of its S3900 loudspeaker, a three-way floorstanding tower that utilises JBL S3900professional-grade drivers and components in a dual 10-inch-woofer design.

“We designed the S3900 to be slimmer and easier to fit into a wider range of rooms, yet still deliver high-quality music and theater reproduction,” said Jim Garrett, Director of Marketing and Product Management, HARMAN Luxury Audio Group and Loudspeakers. “The S3900 shares technologies with our new flagship Project Everest DD67000 and Project K2 S9900 to offer all the classic JBL sonic strengths – effortless dynamics, exceptional clarity and resolution, a natural tonal balance and precise imaging of vocals and instruments in an expansive sound field”.

Measuring 39.6″ high by 14.6″ wide by 14.5″ deep, the S3900 embodies a core JBL design philosophy of combining  dynamic (cone) woofers with horn-loaded midrange/high-frequency and ultrahigh-frequency compression drivers. The JBL S3900 employs two cast-frame 10-inch pulp-cone woofers each incorporating dual 3-inch voice coils and high-power neodymium-magnets.

The S3900 utilises a JBL 175Nd-3 midrange/high-frequency compression driver with a 2-inch AquaPlas™-coated titanium diaphragm, loaded into a 90 by 60 degree BiRadial® horn. “The AquaPlas treatment maintains the superlative transient response of titanium while providing added damping and rigidity for more natural midrange and high-frequency reproduction”. The 138Nd 0.75-inch pure titanium ultrahigh-frequency compression driver, which extends to beyond 40kHz, is mated with a 60 by 30 degree Bi-Radial horn.

The S9300’s bass-reflex enclosure has a rear-firing port and is rigidly braced and damped at critical points; all contribute to the speaker’s high sensitivity, “neutrality and freedom from coloration”.

The JBL Synthesis S3900 will be available in February 2013 at authorized JBL Synthesis installation specialists at a suggested retail price of $10,000/pair.

 

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KEF has announced the introduction of the X300A, an active design primarily conceived to partner a PC or Mac desktop KEF_x300Aor laptop computer with inbuilt amps and DAC. Connection is via a 96kHz/24 bit USB digital input.

Unlike many typical active computer speakers, which have a single class D ‘digital’ amp on each channel, the KEF X300A has two class AB amps in each speaker, one for the LF/MF and one for HF.

Users have the ability to switch between desk, free space and desk/wall modes with high quality EQ, and the sound is adjusted to be optimal whichever location the speaker is put in. Desk and stand modes are selected by a switch on the rear panel of the master speaker; wall mode is selected via a foam plug for the rear mounted reflex port.

A standard 3.5mm analogue input is included so that mobile phones and MP3 players can be connected as a secondary source.

Price: £600.00 per pair.

 

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hORNS, the Polish loudspeaker manufacturer whose Mummy loudspeakers we reviewed recently, have expanded the hORNS SEOSfinish of their SEOS FP- 10 from 8 standard and RAAL colors into some lovely looking veneered finishes, G Point-Audio, the company’s UK distributor, tells us . Pretty much any wood is available on request and a handful of standard finishes will be available too.

We think the new finishes look excellent and are sure to be a hit WAF-wise and the new matching stand certainly set the loudspeakers off very nicely indeed! The stands come in a standard black finish but on request can be built and finished in the same colour as the loudspeakers front panel. Having hollow legs the loudspeaker stands can be filled with your choice of dampening material (lead shot/sand)  which is said to add more gravity to the bottom octave.

Stands are £ 300 and the veneered SEOS FP-10 cost £3000 a pair from.

 

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Construction and Styling

These loudspeakers hail from the new range of Tannoy’s prestige series loudspeakers aimed at the higher end of theTurnberry2 market, and employing not just the same technology as their predecessors of old in the use of dual concentric drivers, but also sharing a traditional cabinet design.

It’s probably worth starting with the aesthetics because it’s here that the new Prestige line stand head and shoulders above their more traditional ancestors.  The design has been deliberately kept  ye olde English where the ‘speakers seem if they ought to be fitted with brightly polished tan leather brogues for ‘speaker shoes, or dressed in tweed (hang on…the grill cloth is a little tweedy).  It’s no small surprise that such traditional styling cues have been chosen as the main market seems mainly to be the Far East.  It’s in markets such as Japan and Hong Kong where large floor standing Tannoys are prized possessions as part of the appeal remains the English country gentrification image as well as the traditional and much valued dual concentric loudspeaker design.

The odd thing is that the styling does in fact suit modern minimalist homes as much as it does Chesterfields and oak panelling, so wife acceptance factor (WAF) is likely to be very high.  With the Turnberrys you get a box which stands 95cm tall by 46cm wide and 37cm deep, each box weighing in at a reasonably hefty 30Kgs.  The front edges are crafted from solid European Walnut with left and right edging being twin through-fluted to act as the port vents for the cabinet, which is a neat and aesthetically pleasing design.  The cabinet itself is a hefty and very solid construction of ¾ inch thick plywood/particle board with a European Walnut high quality veneer and it appears to be very well braced and very strong.  They come with a few tubs of Tannoy branded wax polish, which whilst welcome does not make up for the fact that the woodwork from the factory is not all that well finished.

Removing the grill requires the use of a gold plated brass key to unlock the grill panel.  Whilst this may appear gimmicky, it’s actually a good design as there’s no plastic bobbins to snap off and a rather sold locking mechanism which prevents little fingers removing the grills to get to the inviting drivers beneath! More »

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Fanthorpes of Hull are hosting a KEF open weekend on the 23rd, 24th and 26th of November. During the open days KEF will offer a 20% trade in offer on the Q and the T series of loudspeakers as part of KEF’s ongoing 50th anniversary celebrations.

Over the three days Fanthorpes will be demonstrating the new LS50, the Q and R Series, as well as the T Series flat panel Home Cinema speakers, though if you want to hear a particular loudspeaker then Hifi Pig have been told you need only contact them beforehand.

 

 

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Rod Alexander gets sceptical about ‘The Tellurium Q effect’

A Mexican stand-off

Securing items for review is usually a straightforward affair. One of the parties (reviewer or manufacturer) approaches the other, they agree upon a review of a particular product, manufacturer supplies product and  info (price, specs, etc) said review takes place, review item returned/review published, manufacturer basks in glory of the review/accuses reviewer of having ears made of cloth . You get the idea. It’s a method that has survived generations.

Unfortunately, Tellurium Q’s Geoff Merrigan didn’t get the memo. He refuses to provide the specifications of Tellurium Q cables, notwithstanding the fact that they are easily uncovered by any fool armed with appropriate equipment, cutting through any attempts at marketing mysticism.

With the cables safely delivered, I had another nibble at him, making it clear that I could uncover the cables measurements in minutes. He still refused to buckle, bullishly stating that the specs are only half the story. What could the ‘other half of the story’ be? Each set of cables is placed in a room where Tellurium Q staff chant in ancient Sanskrit before the cables are packaged and dispatched? The cable termination is carried out by extra-terrestrial beings? The ‘other half of the story’ was obvious to me. Hype.

Bullshit and hype More »

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As we’ve mentioned in the introductory blurb to this series of articles, beauty is very much in the eye of the beholder when it comes to Hifi equipment, but we think that the Avantgarde Trios will appeal to pretty much anyone with a passing interest in hifi and, dare we suggest, will also score highly on the WAF scale too. OK, they do look a little bit like something from another planet and they certainly don’t conform to the minimalist approach to high-end loudspeaker design, but then we think they look all the better for this.

The Avantgarde Trio is a three way spherical horn ‘satellite’ which is then complimented below 100Hz with active subwoofers or by 2 to 6 Basshorn modules.

Low- mid Frequencies on the Trio are handled by the 38” horn, which is driven by an 8” driver, the midrange (down to 600Hz) is dealt with by a 23” horn and the top end by a 7” horn. With only 4 passive crossover components the system delivers a very healthy 109dB sensitivity.

The Trio, even without the Basshorn modules, is certainly no shrinking violet and stands a full 1.67m in height and 95cm in width. Each unit is also 83cm deep and so whilst the Trios are big, they aren’t huge, though they do weigh in at an impressive 56Kg each.

The Basshorn is an active bass system with a frequency response of 18 to 250 Hz. Each Basshorn is driven by two 12 inch long excursion drivers with 600 watts RMS. The mouth area of each Basshorn module is 9 ft squared. With six Basshorns in the system this offers a colossal 54 ft squared.

Whatever of the specifications and measurements (that’s not what this article series is about) the Avantgarde Trios certainly strike an impressive and impactful visual statement and they undoubtedly don’t try to hide themselves away from passing glances. With the full compliment of 6 Basshorn modules the Trios will certainly dominate any room in which the lucky owner chooses to place them, but we feel there is a certain stunning beauty about the ensemble.

Eleven standard colours are available to further enhance the appearance of the already striking loudspeaker – from ‘Turmaline Vivid Black’ to ‘Ruby Brilliant Red’. The look of the Trios is certainly very contemporary, but we think that whether in an ultra-modern and minimalist apartment, or a more traditional living space, they are a statement piece that will get your visitors talking.

Now, there are options and the trio is available in either the standard ‘one-on-top-of-the-other arrangement’, or the curved ‘Trio Classico’ curved frame… though this is a $2400 option atop the, already not insubstantial, $68 000 for the standard Trio with the standard subs. Add the full compliment of six Basshorn modules and, let’s face it who wouldn’t want to do this, you get the price up to a bank-balance-busting $163 000…plus another $6000 if you want a customised colour. These are luxury items and luxury hifi comes at a price. Would they be on my short list if I had the money…oh yes!

 

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Rod Alexander investigates a ‘low distortion’ loudspeaker

Curiosity killed the cat, they say. Well, worryingly, it was curiosity that led me to the website of hi-fi retailer, Walrus Systems – run by Les Wong and Pete Sanhen, to see what wonderful hi-fi confections they have in their lovely little shop. They’re an unlikely couple, the Penn and Teller of audio retailing. And while they’ve recently embraced the whole computer audio, servers and steamers thingy, reassuringly, they remain analogue and stereo fundamentalists. In their own words,

“We are a tranquil haven for two-channel enthusiasts amidst the mediocrity of multi-channel home theatre madness, with a particular emphasis on record players and valve amps.”

I first met them over 20 years ago, when they were working together at another London Hi-fi retailer (obviously with dreams of far greater things). It was obvious, even then, that they were square pegs in round holes, with a bizarre take on just about every aspect of hi-fi – the industry, amplifier topologies and brands. Les started importing the Morch range of tonearms which looked, to me, garish and fragile in the extreme. They sounded breathtakingly ethereal. Pete and I discovered that we shared an almost fetishistic love of the DNM Series 2 pre-amp and a Pavlovian, wincing response to the sound of the models that replaced it. Around the same time, Les completely lost the plot and started extolling the virtues of a near empty box – the Mod Squad Line Drive passive pre-amp. Passives became de rigueur within a couple of years. They’re a pair who’ve just been consistently ahead of the curve. More »

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Sanders sound electrostatics now in UK

High-End dealer Scott Nangle Audio have announced that they are now stocking and have on demo, the Sanders Sound Model 10c Electrostatic loudspeakers.

The 10c loudspeakers are 94dB sensitive and so should be an excellent match for lower powered valve amplification or the company’s Sanders Magtech amplifiers.

The bass of the Sanders Sound 10c is handles by a 10inch driver in a transmission line arrangement and are said to be flat down to 22Hz. Crossovers are external digital affairs and are designed specifically with bi-amping in mind. They come with 2 pairs of 12 feet Sanders loudspeaker cable, a Magtech stereo power amplifier rated at 500w for the bass and a useful remote control.

The loudspeakers come with a lifetime warranty and are made in the US where Sanders have been building electrostatic loudspeakers for the last 30 years.

Price £ 8,200

 

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hORNS Mummy MKii

I’d been waiting for the Mummys for a while and the excitement in the household was palpable. It was kind of like that week before Xmas when you were a child and you knew that the main event was only a matter of a few days a way… but every hour seemed like a lifetime. I’m always like this before any bit of kit arrives for review. Needless to say the usual courier nonsense got in the way and, rather than arriving on the Friday like the tracking details proclaimed, I would have to wait until Monday. Oh, the torment I was longing to give these things a slating as being all style over substance. It was a tough weekend where I busied myself preparing the listening room, moving out old loudspeakers and making room for the arrival of the sarcophagi.

Monday finally arrived and just after lunch there was a knock at the door. Now, for this bit you need to cast your mind back to the Indiana Jones films and imagine a pair of wooden caskets being deposited in Harrison Ford’s sunlit and dusty office. I’d like to say that I’d dressed for the occasion with hat, whip and buckles to swash, but I hadn’t, all I had was my normal attire – yellow socks and a pink cravat (nothing lah-di-dah) and of course, in true action adventure hero style… a crowbar.

The wooden boxes looked for all intents and purposes like I’d taken delivery of two small coffins… the mortal remains of a pair of child pharaohs perhaps. With my trusty crowbar in hand I jimmied the corner of one of the boxes and carefully moved around, slowly releasing the lid from the main body of the box. Laying there in stately grace was the tightly swaddled body of the loudspeaker itself. Carefully upending the coffin and sliding out the loudspeaker was a three man job, these are certainly no light-weights… and so to the cautious removal of the outer layers of the protective wrappings to reveal what lay beneath. More »

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Love at first sight

I’m a sucker for the cute and pretty ones. I’ve always been the same. So as soon as I unpacked Ancient Audio’s dinkyStudio Oslo active loudspeakers, I knew I was in trouble. Beautifully finished in deep gloss lipstick red and measuring just 100 x 239 x 210mm (WxHxD) they adopt the ‘narrow frontage/extended depth’ format. For those who would consider the review pair too, errr… ‘tarty’ they are also available in white or black gloss as well as ebony and rosewood veneers.

Hailing from Poland (despite the Norwegian moniker) the Studio Oslo is described as a ‘nearfield powered monitor speaker’. Given the connectivity on offer, it’s hard to argue. With balanced XLR inputs, in addition to 2 pairs of RCA phono sockets (for high and low level signals) along with volume and – wait for it, tone controls, they certainly tick the studio monitor checklist.

With an eye toward their likely placement on desks, from the side they have a parallelogram profile, ensuring that the single full-range driver, sourced from Dayton and featuring an anodised aluminium cone, fires slightly upward, toward the listener.

Connections and power amplification reside in one of the speakers, along with an analogue sound processor, precisely set to optimise the performance of the drivers by compensating for phase shift and amplitude variations across the driver’s frequency range. An umbilical provides signal to the left speaker. Onboard amplification is based around the Philips TDA8566Q IC, providing 30 watts of power. Ancient Audio state that they have biased it well into class AB, but in use, the rear-mounted heatsink barely rose above room temperature.

The units come complete with a simple laptop type power supply, though Ancient Audio state that any laptop power supply with an output of 17 – 19 volts DC will do the job. Ancient can also supply an adaptor that allows the speakers to be used with car or leisure type batteries. More »

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These are the big brothers to the standmount LFT-16a speakers recently reviewed in Hifi Pig. At just over 5 foot (1.6m) tall and weighing in at a fairly hefty 41Kg, these will be difficult to hide away in the corner or to sneak past your Significant Other!

Once again they are quasi-ribbon hybrids, but with the LFT-8b the quasi-ribbon array is much larger and covers a larger proportion of the frequency spectrum, and a larger woofer cone and enclosure is used to handle the bass. As the listening sessions showed, though, it’s not just bigger helpings of the same sonic flavour but a rather different style of presentation.

Technology Background – Different ways to re-produce the music

To recap on the LFT-16a review –
(feel free to skip this section and the next if the previous review is still fresh in your mind!)

The most usual loudspeaker technology is based around a cone or dome made out of paper, plastic or metal with a coil of electrically conductive wire (the voice coil) attached, and with an adjacent magnet structure. An electrical signal is applied to the voice coil, this interacts with the magnetic field and the cone or dome moves in time with the signal variations. Make the signal variations the music signal, and music is the resulting sound created by the air movement.  The problem here is to make the cone or dome stiff enough that it precisely follows the input electrical signal. The cone/dome material flexes; it has to, nothing is perfectly rigid. Strengthen the material to make it stiffer and you will most likely increase the mass, which reduces the responsiveness of the system and so reduces the resolution of the sound. Material and magnet type can be improved, generally at a cost and with the usual law of diminishing returns.

Eminent Technology takes a different approach, at least as far as the midrange and treble parts of the audio spectrum are concerned. They use “magnetic planar” drive units for that. An electrically conductive aluminium track is etched onto a light Mylar film and is placed between an array of strong magnets. The audio signal is passed through the aluminium track, and the magnetic field so produced interacts with the magnets and causes the Mylar film to vibrate, producing the sound.

It’s the same kind of principle as electrostatic and ribbon speakers; a thin, lightweight diaphragm moving the air. The advantages are similar, too …. Low colouration, as little energy can be stored and released later. No need for boxy cabinetry, so another source of colouration is removed. High diaphragm ‘acceleration’ due to the low mass of the diaphragm, so resolution can be very high. Excellent high frequency extension, once again due to the low mass of the moving material. There is a lot going for the approach!

The main disadvantage is that the excursion limit of the diaphragm is more restricted than for a conventional cone driver, in order to keep the driver within the linear region of the magnetic field, so less air is moved for the same driver area. This results in lower sound pressure levels and restricted bass extension. The way around this is to increase the diaphragm area – this of course increases the size of the speaker (full-range electrostatic and ribbon speakers can be very large!) and also increases the cost. More »

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