I first saw Pixies playing live nearly 30 years ago at Manchester International supporting Throwing Muses (who were promoting their second album ‘House Tornado’ – still one of my all-time favourite albums).  I didn’t actually realise at the time, but it was to be one of those tours which people still talk about years later (‘You were there??!!  No way!!’).  I was – and still am – an avid 4AD fan, so I’d purchased Pixies’ album ‘Surfer Rosa’ on its release just over a month prior to the gig.  The album’s now well-documented ‘loud-quiet-loud’ songs made for an essential listen; Pixies didn’t sound like much else at the time – and certainly nothing on the 4AD roster.  I likely don’t need to tell you that bands such as Nirvana, Radiohead & David Bowie cited them as a huge influence.  It still amazes me how Pixies signed to a London-based label, despite originating from Boston, Massachusetts – and even 4AD themselves nearly passed on the opportunity had it not been for the girlfriend of then-chief Ivo Watts-Russell who managed to persuade him.

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George Jones was the king of heartbreak. But with his demise in 2013, Jim Lauderdale, the crown prince, could very well take the throne. However, it’s not as simple as a mere coronation ceremony. It’s a test of mettle, of experience, and of the songs. With a solo career spanning from 1986 to 2017, Lauderdale has the experience, and as evidenced by London Southern, he has a firm grasp on the songs. However, the sceptre just about slips away.    More »

Janine Elliot takes a listen to the STS Digital reel to reel copy of Jazz Masters Volume 1 More »

When I think of reggae coming out of the UK in the 80s and 90s my mind immediately jumps to the fabulous On-U Sounds label and producer Adrian Sherwood. Indeed, in the early 90s I had a radio show on Sony Radio Station of the Year winner Wear FM called The Midnight Train To Doomsville inspired by the Lee Perry tune of the same name. Every week we would start the show with the full version of the song taken from one of the On-U Sound Pay It All Back series of compilations. The label even inspired a group of us to form a reggae band that enjoyed reasonable success in the North East of the country…but I digress. More »

This Is Steve” is the latest contribution by the lively, playful, imaginative and inimitable guitarist Delicate Steve. Formerly signed to David Byrne’s label he’s established himself as not only an exciting instrumentalist in his own right, producing and playing everything on the new album, but also a go-to figure for work with artists like Dirty Projectors, tUnE-yArDs, Mac DeMarco, Lee Ranaldo and Built to Spill. More »

A new signing to Innovative Leisure. The Molochs have picked up some great support lately from many aficionados in the music world, all noting their retro take on things, with a contemporary slant. Theirs is a mission statement that promises to pull apart the past, rather than recreate it, and on this new album, ‘America’s Velvet Glory’ (due out the 13th of January), their spritely garage nods to the likes of Violent Femmes, Kinks, Bob Dylan, Velvet Underground and other such artists. More »

Can a genre ever die? Can it really simply fade into the past, confined to a coffin of retrospective reviews and nostalgia tours?

It’s been noted that previous attempts at revivals of music genres failed. Very occasionally, you’ll get one that results in something different; neo-psychedelia is proof of that, as is the garage rock or post-punk revival of the early 00s. More »

Never one to avoid an obvious cliché, John Scott takes a walk on the wild side and reacquaints himself with Lou Reed’s 1972 hit album. More »

Making noise is a bit like making a mistake: any fool can make a mistake, but it takes skill to cause a fiasco. More »

CALLING PUNKS OF ALL AGES! Gather your favourite pair of pogo-worn Doc Martins, best ripped, studded and patch covered denim jacket and slick up that Mohawk, because punks not dead and the 111 track long Action Time Vision Boxset is here to remind us of that. So get on board or get left behind! Still not sure? Well I have been lucky enough to get my anarchy loving paws on the boxset to review it, so let’s dive in! More »

Herbie Hancock rose to fame as a member of Miles Davis’s acoustic quintet, whose music helped define a new kind of Jazz. He’s perhaps best know for his record Canatloupe Island from the album Empyrean Isles and sampled on the Us3 tune Cantaloop (Flip Fantasia) but he is known as being a crossover artist blending jazz with elements of funk and here he takes on the disco genre, infecting it with electronic jazz elements…and controversially at the time, vocoders. More »

This is a collection of six studio albums, plus some other related material, from the period 1963-1968 and covering the groups entire catalogue recorded for Transatlantic Records (whose first releases were a trio of sex education records). More »

Electric Six is a six-piece band from Detroit, Michigan. Their style is a brand of rock music infused with elements of garage, disco, punk rock, new wave, and metal all forming a very unique and at times odd sound. The band hit the big time in 2003 with the singles “Danger! High Voltage” and “Gay Bar”, and subsequently recorded eleven full-length studio albums. However, a twelfth was announced July 2016 with its name being ‘Fresh Blood for Tired Vampyres’ and I just so happen to have been lucky enough to review said album! More »

Marianne Faithfull celebrates her 70th birthday on the 29th of December.  John Scott takes a listen to her 1979 album Broken English. More »

LACK are a Bedfordshire based British Punk trio, consisting of Rob, Jay and Steve. After 9 months, LACK were off to Wallington to record their first album, Anthem, and are soon to release their second album, which I was lucky enough to gain early access to. More »

Twenty Eight year old, Californian singer songwriter Natalie Mering throws back to a psychy-folk feel of the sixties, with a Gallic touch thrown in there for good measure…but then she doesn’t at the same time. More »

I’ve sat on this for a while and it’s now out there for you to get your hands on but it’s very difficult to write a balanced review of what represents four of your favourite albums of all time by your favourite band of all time. Yes it’s a boxset re-release from the late 70’s but hey, I don’t care! So, let’s throw balance out the window and say from the off that this re-release package of four albums represents some of the finest music ever made and I know each track like the back of my hand; they have been played so often over the years. This is Bob Calvert, who was by this time the band’s vocalist in residence, era Hawkwind and his way with words is, to my mind second to none. More »

Whyte Horses are from Manchester and this album came out earlier this year, but only just landed on my desk a few days ago. The band is the brainchild of one Dom Thomas who runs the Finders Keepers record label that re-releases obscure records from around the world – check it out, there’s some crazy assed stuff on there! More »

John Paul White was one half of The Civil Wars, the other half being Joy Williams, but that all went horribly wrong and the breakup of the alt-country duo, despite the mega-stardom, not to mention the soon to be released second album that lay before them, was a magnificent demonstration of how to spectacularly implode in public. Cancelled tours and studious paying no attention to each other followed and continues to this day as far as I’m aware. More »

Let’s get one thing straight from the off about Honeyblood, and this, their second album on Fat Cat Records… I am clearly not the target audience for this record, but that didn’t stop me from absolutely adoring this terrifically entertaining slab of indie-punky-poppy wonderfulness!!!  More »

The Allah-Las latest CD “Calico Review” promo landed on my desk yesterday (it was released on Sept 9th) and despite this band having been formed in 2008 and having a couple of albums out previously (Allah-Las (2012) and Worship The Sun (2014)) I must confess they are wholly new to me. More »

Earlier this month, Bob Dylan became the first musician to be awarded a Nobel prize for literature.  John Scott celebrates by having a listen to Dylan’s  1975 album Blood On The Tracks. More »

José Feliciano, no me neither, and so here’s a bit of background. Feliciano is Puerto Rican and was born blind as a consequence of congenital glaucoma but never the less he is regarded by some as the world’s greatest living guitarist. More »

You’ll know the name of course and since his days with Public Image Ltd, Mr Wobble has put out over forty albums and taken part in a huge number of collaborations. Last year he released a six CD box set called Redux, but In Dub allows fans or those new to his music, an affordable collection of this particular style of music he’s output. More »

Everything these days is ‘post-something’, don’t you think?  Post-rock, Post-punk, post-everything.  That being the case, Julia Jacklin’s debut album ‘Don’t Let The Kids Win’ should possibly take the mantle of ‘post-alt-country’, whatever that means.  The album’s a lively mix of laid-back guitar-driven songs which lie somewhere between Laura Marling, Faith Over Reason, Eileen Rose and Patti Smith.  She certainly has a voice that would melt butter – ‘Leadlight’ is one of those gorgeous summery anthems which you often hear when abroad, being both bittersweet in lyrical content and smooth as silk in the vocal department. More »