Los Angeles based Dustbowl Revival have spent a decade pushing the boundaries of American roots music, creating uplifting songs that fuse folk, funk and soul and performing transcendent live shows that have seen the L.A. Weekly newspaper crown them the city’s ‘Best Live Band’. Produced by Sam Kassirer and engineered by Brian Joseph, their upcoming new album ‘Is It You, Is It Me’ represents the latest stage in the development of a band that never ceases to evolve.

Written in a two week flash of intense creativity, the majority of the songs were layered and composed day by day in the studio. Built like a nimble rock orchestra, each member played multiple instruments, bringing in new musicians on symphonic brass and local friends to create a spur of the moment choir. This unique creative process exposed fear, doubt and tension, but also brought out a new courage in the band to dig deeper than ever. The result is both a sonic revelation and a reckoning, certainly on relationships between the members of the group and their significant others, who may have begun to question their partner’s choice to always be away from home and family and have subsequently become strangers.

Perhaps ‘Is It You, Is It Me’ captures a conversation that hasn’t happened yet between people on both sides of a divide who simply don’t know how to talk to each other. Many songs are like plays unfolding verse by verse via the yin-yang conversational harmony that is the true speciality of band co-founder Z. Lupetin and co-lead singing dynamo Liz Beebe. With the big brass-and-strings band building sets around them, ‘Is It You, Is It Me’ isn’t afraid to explore artistic, personal and political tension that the group may have previously shied away from.

“I feel like we grew up for real on this record,” states Lupetin, “both as musicians who have come of age on the road together and as collaborators making music that even we don’t know how to describe or pin down. It’s exciting and a bit terrifying.”

Emotional and self-reflective, ‘Is It You, Is It Me’ tackles uneasy topics, often where the political feels personal such as in the defiant ‘Get Rid of You’, which was inspired by the student activists who emerged from the Parkland High School shooting in Florida. The ominous driving brass groove of first single ‘Enemy’, powerfully sung by Beebe, hones in on a painful generational split between a daughter and her parents, who may have voted in a tyrant and have become strangers to her after struggling to find common ground. 

Elsewhere, there is the New Orleans second line feel of ‘Nobody Knows (Is It You)’, about a character who runs for president and accidentally wins, then gives it up on a whim when he discovers a greater good; the catchy pop bounce of ‘Ghost’, about a mysterious lover who disappears without a trace; heart-on-sleeve love songs like ‘I Wake Up’, and the first-kiss electric guitar and percussion nostalgia of ‘Penelope’, which harks back to huge band influences like early Paul Simon and Van Morrison.

However, perhaps the number that best encapsulates the group’s raison d’etre is ‘Just One Song’, an emotional, acoustic track that probably would not have made it to the album without the encouragement of producer Kassirer. It is about a performer realising that, despite the doubt and struggle all around us, the music itself is always the most important thing. “Maybe we don’t know where this journey will take us or how long it will last,” acknowledges Lupetin. “That’s my take on the importance of what we try to do. Music elevates us, lifts us up, makes us change our minds, takes us out of our comfort zones. If just one person can be moved by just one song, that’s enough.”

Dustbowl Revival has taken the past and present and made it their own by turning it into something new. ‘Is It You, Is It Me’ represents another massive leap forward for the group and follows their acclaimed self-titled 2017 album which took them from a “roots dance party band” that thrived on the festival circuit to a more nuanced group embracing darker, more soulful territory. It hit the top spot on Amazon’s Americana chart and contained the introspective folk number ‘Got Over’, which has racked up almost 7 million Spotify spins. That album can now be seen as a direct bridge to their newest work.

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Dustbowl Revival formed in 2007 when Chicago native Z. Lupetin moved to LA to be a playwright and screenwriter, grew disillusioned with his job in advertising and placed an ad on Craigslist seeking musicians who shared his love of Louis Armstrong, Bob Wills, Old Crow Medicine Show, Paul Simon, Aretha Franklin and the brass bands of New Orleans, but also wanted to write songs by Americana pioneers such as Wilco, Lucinda Williams and even Bruce Springsteen. Over a decade on, the band is a testament to patience and hard work, having toured two hundred days every year of this decade. They have performed in numerous countries including as guests of the US State Department in China, played large festivals in Canada, Norway and Denmark, graced festival main stages with Wilco, Mavis Staples and Brandi Carlile, and played with the likes of Lake Street Dive, Preservation Hall Jazz Band and Trombone Shorty.