The Zodiac line from KBL Sound is a direct replacement for the company’s previous Hologram range. The company says they are better cables, coming to the market at a similar price level.

These cables are manufactured with ultra-pure copper wire with each single crystal length reaching a few hundred meters (the result of the Ohno Continuous Casting process). Then, the copper is cryogenically treated to obtain a better molecular order within each wire.Zodiac-IC-snake

“These advanced conductors achieve such a high level of homogeneity that signal flow is practically lossless. It is characterized by a smooth and detailed transmission signal in a wide frequency spectrum” says the company’s recent press release.

Zodiac interconnects are well shielded against EM and RF interferences using pure copper screen with a  special multi-layered jacket protects the cables from external vibrations.

Standard termination comes with WBT-0114 Cu nextgen connectors.
Balanced option is available with XLR Neutrik connectors.

Zodiac signal cables are also available as 75 Ohm SPDiF /RCA (WBT) and 110 Ohm AES/EBU (Neutrik) digital cables. They are offered as phono cables too, coming with RCA to RCA (WBT) or RCA (WBT) to 5 DIN connector (Cardas) to wire up any tonearm.

Standard length: 1.5m, 2m. Other length available upon request.

After the assembly process cables are tested and professionally conditioned. Thus they are already burned-in for immediate use without waiting many weeks or even months for the ultimate level of performance. After a short time in a new audio system they sound the best they can and their performance does not change.

 

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British hi-fi manufacturer, Mitchell and Johnson, announced an exclusive worldwide deal with the developers of Electrostatz technology for use in its forthcoming range of headphones.

The self-biasing electrostatic technology behind Electrostatz was originally developed at the Industrial Technology Research Institute (ITRI), Taiwan’s largest industrial research facility. Further commercial development was rewarded with the highly prized accolade of “Technology Innovation Award Winner” from The Wall Street Journal and it was subsequently patented as Electrostatz Technology.HP1 dark

The super-thin and lightweight flexible transducer, with many thousands of micro-perforations, produces sound waves when an audio signal is applied to the driver in much the same way as a traditional electro-static driver, but without the need for an external high voltage power supply. This overcomes the two major disadvantages that exist with current electro-static headphones, namely high cost and lack of portability.

Electrostatz is capable of reproducing high frequency sounds up to 45kHz, with an incredibly quick response. In order to produce the punchy low frequency sounds required for the full frequency experience, which would require a high voltage input if using an electro-static driver on its own, the Mitchell and Johnson approach is to utilise a hybrid design. A dynamic driver dedicated to the bass works in conjunction with the Electrostatz unit for the mid and high frequencies.

Mitchell and Johnson has signed an agreement with the company behind Electrostatz to bring the technology to consumers across a range of new headphone models. During the first half of 2016 the company will introduce designs aimed at the street or urban users, hifi enthusiasts, DJs and professional studio engineers.

Paul Mitchell, CEO, of Mitchell and Johnson comments, “Electrostatz represents the single biggest development in headphone driver design for many years. And by combining it with a dynamic driver in our hybrid module we can bring the best of both worlds – electrostatic purity and dynamic power and bass performance – to consumers. As we are using two drivers in the headphones, we can tune the frequency response in much the same way as a traditional loudspeaker balance can be altered. This gives us the ability to create models that are suited to different applications, for example biased to cut through the ambient noise of an urban setting, or a perfectly flat response for studio use.” He concludes, “We are very excited to be granted the worldwide exclusivity on the technology and can’t wait to share our first designs with music fans over the coming months.”

 

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TAGA Harmony, a European manufacturer of speakers and audio electronics, has unveiled Diamond F-200, the brand’s flagship floorstanding model.taga8jan_20162

After the success of the company’s Platinum Special Edition series TAGA Harmony received a lot of requests from its customers to design loudspeakers with an even more high-end look and sound.  TAGA Harmony decided to take on that difficult but at the same time tempting task. A team of dedicated engineers was appointed for this project which ot a code name “Diamond”.

Their goal was to use all the knowledge and experience in research, development and manufacturing of speakers to build an exceptional floorstanding speaker showcasing the best technology and achievements of TAGA Harmony.  The result is visible at the first glance on the beautifully crafted cabinet with its curved, clear, elegant lines and luxurious design, accentuated with high grade natural wood veneers finished with high-end clear gloss piano lacquer.

SPECIFICATIONS

Design: Floorstanding, 3-way, 4 drivers, Bi-wiring, Bi-amping25mm MDF S-TLIE enclosure

Crossover points 450Hz, 4kHz

High-Frequency Driver: 30mm (1.18”)O-TPTTD, E-TPAF
Midrange Driver: 165mm (6.5″) E-TPACD
Bass Driver: 2 x 203mm (8″) TNPPCD
Recommended Amplifier Power: 100-400W
Frequency Response (+/- 3dB): 30Hz-33kHz
Impedance: 6 ohm
Sensitivity: 91dB
Dimensions (H x W x D): 120 x 28 x 52 cm
Weight (net): 112 kg pair

Finishes:

Real Wood Rosewood Veneer – With Clear Gloss Piano Lacquer

Real Wood African Walnut Veneer – With Clear Gloss Piano Lacquertaga8jan_2016

TECHNOLOGY

CABINET

Speaker cabinet design and construction is one of the most critical elements influencing sound performance.

Based on Taga’s own TLIE (Taga Low Interference Enclosures) technology, TAGA Harmony have developed a new high-end solution to increase stiffness and limit any unwanted resonances of the cabinet.

The new technology is called S-TLIE Super Taga Low Interference Enclosures.

Super rigid and thick 25mm MDF boards are used for side, rear, top and bottom walls and 30mm for the baffle (front panel). The internal structure is divided in two chambers in an approximate ratio 80% of volume for woofers and 20% for a midrange and tweeter.

Internal bracing is used to further strengthen the whole structure and achieve even greater rigidity.

The walls are firmly anchored to the 80mm backbone beam highly strengthening the whole construction.

The bent shape of the side walls as well as the curved top plays a significant role in lowering unwanted vibrations, diffraction, turbulences and standing waves effect.

The high-end African wood veneers, painted with 9-layer clear piano lacquer is luxurious and enduring.

The cabinet sits on a 2-layer discrete metal base with oversized spikes. The 2-layer design increases isolation from the floor, the transparency of sound and provides better definition and the basis for the bass.

The whole cabinet is tilted back slightly to time-align all the drivers – it brings the tweeter’s output into the best and correct alignment.

Supplied extra aluminum spike supports provide super stability for the speakers and protect the floor from being scratched.

To keep the elegant and sleek appearance of the front panel there are no grill sockets thanks to a magnetic mountable grill.

TWEETER

The high-end 30mm (1.18”) O-TPTTD (Oversized Taga Pure Titanium Tweeter Dome) is 20% bigger than in the company’s Platinum Special Edition series to allow even higher power handling and more accurate, clear, smooth and detailed performance. Ferrofluid cooled and heavy duty 28mm CCAW and silver wiring voice coil as well as 2 magnets (Φ80 &   Φ70) help the tweeter to bear high power.

The E-TPAF (Enlarged Taga Pure Aluminium Faceplate) and metal grill helps even further dispersion of high-frequencies.

MIDRANGE

The 165mm (6.5”) rigid and ultra-light E-TPACD (Extended Taga Pure Aluminum cone Driver) midrange (with a bullet shaped phase plug,  aluminum chassis and oversized 2-magnet structure Φ100/Φ90) where the butyl suspension can move very fast and frequently allowing mid-range frequencies to be very rich, spacious and sweet. The bullet shaped phase plug is to align the phase of the audio signal and to smooth the midrange frequency response. The extended low and high frequency range (from 46 Hz – 18 kHz) helps overlapping with frequencies of the woofers and the tweeter to offer the best sound consistency and integration.

WOOFERS

The two 203mm (8”) TNPPCD (Taga  Non-pressed Paper Cone Driver) woofers – each equipped with three oversized 2xΦ123 + Φ100 magnets and  aluminum chassis. They are extremely rigid and utilize vibration-free solutions. The heavy duty 4-layer pure copper ribbon voice coil allows high power handling. TNPPCD drivers offer deep, precise and detailed bass performance. Thanks to a larger surface area to push air – the sound can be played at much louder levels.

CROSSOVER / INTERNAL WIRING

High quality, close-tolerance and precisely selected crossover components and internal are used with TAGA Harmony utilizing  high quality of OFC internal wiring connecting crossovers with drivers, assuring that incoming audio signals from a receiver or amplifier will not lose any important details on the paths to drivers.tagaxover

SPEAKER BINDING POSTStaga8jan_20163

The high quality, gold-plated banana binding posts accept raw speaker cables up to 10AWG and most popular types of connectors. They offer bi-wiring and bi-amping for wider dispersions and spaciousness, higher sonic accuracy and more precise sound. We use high-end 4N pure oxygen free copper wire jumpers terminated with gold-plated banana and spades connectors.

 

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Audio Research

The American makers of valve-based audio technology have redesigned the company’s Reference Series power amps to ’SE’ status, replacing the KT120 valve with the newly introduced KT150 to deliver significant performance upgrades. The Reference 75 SE, Reference 150 SE and Reference 250 SE are on show, along with the forthcoming Reference Phono 3 phono preamplifier and the recently launched G-Series integrated amp for both digital and analogue sources, the GSi75.AR_CES_2016

Crystal Cable

Dutch company Crystal Cable promises a host of surprises at CES 2016. It’s all hush-hush, but the company’s latest speaker, the Minissimo Diamond with its proprietary diamond tweeter, is sure to be present, as is the company’s latest range of cables for hi-res portable audio devices.CrystalCable_CES_2016

Dan D’Agostino

Krell’s legendary founder launches the latest addition to his Momentum range, the Momentum Phonostage, whilst unveiling the all-new Progession line with the Progression Mono. D’Agostino’s first amp with wireless streaming via AirPlay and Bluetooth, the amazing Momentum Lifestyle Amplifier, will also be present as full production finally draws near.

Dagostino_2_CES_2016Dagostino_1_CES_2016

EAT

Maker of turntables for vinyl records, European Audio Team is showcasing its entire range including its new entry-level model, the C-Major. This is essentially a lightly stripped back version of EAT’s C-Sharp turntable, featuring a similar suspended carbon fibre sub-chassis with a new aluminium platter to create EAT’s most affordable deck yet.EAT_CES_2016

Krell

America’s preeminent high-end audio brand shows its range of top-notch audio electronics, including the Digital Vanguard, which takes Krell’s Vanguard integrated amp and adds a host of digital connectivity options including streaming via USB and Ethernet, plus Bluetooth with aptX support.

Krell_CES_2016

Magico

When it comes to ultra-high-end speakers, no manufacturer has made a bigger splash in the last 10 years than California’s Magico. The company’s latest is the S7, the new flagship of Magico’s more ‘affordable’ S Series.MAGICO_CES_2016

MartinLogan

Kansas-based MartinLogan makes hybrid electrostatic loudspeakers, and its new flagship, the Neolith, is its best design yet. Three years in the making, Neolith combines a huge electrostatic radiating surface with front- and rear-firing subwoofers to deliver a deep, broad soundstage with stunning speed and clarity – we’ve heard it here at Hifi Pig and loved it!NEOLITH_CES_2016

Metronome Technologies

The Gallic digital audio specialist shows off its Music Center 1, a music server and CD player combined. The company’s DAC range is also being refreshed with new DSD-capable models.MET_CES_2016

Primaluna

PrimaLuna continues to expand its range with its new, range topping amplifiers: the Dialogue Premium HP (‘HP’ for ‘High Power’) integrated amplifier and power amplifier.primaluna_CES_2016

Sonus faber

Italian loudspeaker maker shows the latest addition to its flagship Homage range:Il Cremonese, a floorstander named after one of Antonio Stradivario’s most famous violins and featuring technology derived from the Lilium loudspeaker. Other highlights include the company’s award-winning, entry-level Chameleon collection, clad in leather with interchangeable coloured side panels.  SF_CES_2016

Theta Digital

US-based Theta Digital is showcasing the latest versions of its Casablanca Music and Cinema Controller – a multichannel preamp/processor. The Casablanca IVa adds decoding for the new 3D audio formats Dolby Atmos and Auro-3D, whilst also being ready for DTS:X, and maintains the innovations of the standard Casablanca IV, like Dirac Live 96K digital room correction and Theta’s proprietary Jitter Jail II anti-jitter technology. The Casablanca V, meanwhile, doubles the number of available channels to 24, and there’s also a new modular power amplifier called the Dreadnaught IV.THETA_CES_2016

Transparent Audio

US-based cable specialist Transparent will show off its latest Generation 5 cable designs, from the entry-level High Performance series to the top-end Magnum Opus range complete with the company’s most advanced noise-reducing Transparent network.8CA4FADF-6AFC-43B8-BF6B-684316BA3D29 (1)

Wadia Digital

New York’s digital audio pioneer showcases its range of DACs and digital power amps, from the flagship 300 Series to the compact 100 Series.WADIA_CES_2016

As previously mentioned in Hifi Pig News, Constellation Audio and Wilson Audio will be making significant launches at CES 2016

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The January edition of HIfi Pig Extra is now published and ready for FREE download. It’s another great issue with loads of content…

JAN2016Front

CLICK TO DOWNLOAD

REVIEWS

Merrill Audio Thor Monobloc Amplifiers.

MunroSonic EGG150 – Active Monitoring Loudspeakers.

Cabasse Stream 100 Amplifier and Surf Loudspeakers.

Martin Logan Motion 15 Standmount Loudspeakers.

Zeta Zero Venus Picolla Loudspeakers.

DiDiT DAC 212 Digital To Analogue Converter.

Lab 12 gordian Power Distributor/Conditioner.

Clearaudio Smart Matrix Professional Record Cleaning Machine.

Black Cat Redlevel Tube speaker Cable and RCA Interconnects.

COLUMNS

Retro Bites – Janine Elliot takes another look at retro audio kit, this time focusing on the rare Tefifon

Voice Of Dom – Dominic Marsh gets puzzled over the differences people hear with identical products and explains how he goes about evaluating and listening to new kit.

Fidelity Matters – In the last of his Fidelity Matters articles for 2015, Ian Ringstead celebrates innovation wherever it comes from and applauds all the people in the hifi industry who make this wonderful kit possible.

The Views Of Stu – Stuart Smith looks at the year that was 2015 and hints at a few things you can expect to see in the coming year from Hifi Pig.

Bird’s Eye View – Linette Smith asks “What’s your drug of choice?”.

Dealers’ View – Mike Twomey continues his series of articles looking at the wonderful world of audio from the dealers perspective and this month offers up a few useful tips on how to get the best trade in deal when it comes round to the inevitable upgrade time…

Music and Live Gig Reviews with John Scott and Stuart Smith including live reviews of The Rezillos, Spizzenergi and The Proclaimers. 

The Classics – John Scott throws a log on the fire, pours himself a wee dram and puts on his copy of Mike Oldfield’s Ommadawn as part of his Classic Albums series. 

A great Behind The Brands interview with Heinz Lichtenegger, the CEO of Pro-Ject.

Download your Free copy here 

 

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MQA (Master Quality Authenticated) launches major partnerships at CES 2016, including agreements with music download store 2L and playback partners Bluesound and AURALiC, plus reveals a smartphone first from HTC.CES2016_MQA_HTC

CES Unveiled on January 4th and the MQA Suite within the Venetian (30-335) are the places to experience a world first: the MQA demonstration on the HTC One A9. HTC has equipped its latest smartphone with MQA technology in a ‘proof of concept’ exclusive for CES 2016.

2L claims the honour of first label to offer fans the chance to buy their music in MQA. Founded by Morten Lindberg – a highly respected figure in the world of digital music recording and a GRAMMY multi-nominee, including three selections in the 2016 list – the Scandinavian music label is revered for its pristine-quality recordings. Morten commented on MQA and said: “Meeting Bob Stuart and discovering MQA has been a total revelation. I have spent many hours with Bob listening to original recordings and being constantly amazed by the incredible sense of space and clarity brought by MQA. The end-to-end process allows us to more accurately capture the original sound and to deliver it perfectly all the way through to music lovers.

The library of MQA music is set to expand further during 2016 with 7digital, Onkyo Music, HQM (Japan) and Jay Z-led TIDAL all aiming to bring MQA music to the masses.

CES 2016 will also see the announcement of new playback partners including AURALiC, Bluesound and Aurender. The award-winning Bluesound range of MQA-compatible products will compromise the Node 2, Powervault 2, Pulse 2, Pulse Flex, Pulse Mini, Vault 2, and all legacy Bluesound components. MQA demonstrations will take place in Bluesound’s CES Venetian suite 34-204. AURALiC and Aurender will also be demonstrating new MQA-enabled products. MQA will be available on all three of AURALiC’s streamer models: ARIES, ARIES LE and ARIES MINI, with MQA demonstrations taking place in AURALiC’s suite within the Venetian (29-122).

MQA support grows further with Berkeley Audio, dCS, Kripton and Ixion joining the official MQA supplier list. All of these brands are actively planning MQA-enabled product lines, adding to previously announced MQA-ready product announcements from Meridian Audio, Mytek, Onkyo, and Pioneer

Commenting on these announcements Bob Stuart, MQA creator, said: “It’s truly gratifying to see such widespread levels of industry support for MQA. We are especially delighted to partner with 2L, MQA’s debut content retailer, and we look forward to welcoming aboard many more partners during 2016. We are also honoured to work with HTC at CES 2016, enabling the opportunity for the show visitors to hear MQA on today’s portable music device of choice, the smartphone.

MQA CES Locations

CES Unveiled, 4th January 2016, 4:00pm – 7:30pm (PST)

Mandalay Bay, Level 0, South Pacific Ballroom, Stand 119

The Venetian, 30-335, MQA Suite

 

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Bret D’Agostino at Bully Sound Company, LLC (BSC Audio) got in touch to tell Hifi Pig what that they will be taking part in CES 2016 with a host of manufacturers to accompany their products  including Magico, Playback Designs, Kubal Sosna Research and Critical Mass Systems which will be in  the Venetian, Suite 29-117. BSC will have the North American debut of their Audio’s L5 Reference Multi-Chassis Remote Controlled Class A Line Level Preamplifier.

This is the company’s first reference level, full function preamplifier which is now shipping world-wide at MSRP USD 15,900.00 per unit.

L5 Preamplifier – features:

  • Fully discrete, differential, and complimentary Class A circuitry from input to output.
  • 255 step, discrete, differential, motorized, linear volume control.
  • 3-chassis all isolated and individually mounted on a single base containing, (i) Power Supply module, (ii) Main Audio module, and (iii) Control & Processing module.
  • Separate,  ultra-stable,  and  discrete   power  supplies.
  • The  digital  power  supply  is  based  on  a  75  VA  toroidal transformer. The analog supply is based on a massive 150 VA toroidal transformer.dagostino_CES_2016

Future additions to the preamplifier functionality will include dealer installable internal plug-in boards for (i) active 3- band differential tone controls and (ii) phono preamplifier.

There will also be the North American debut of Playback Designs’ Syrah Server, Integrated Music Server and OpBox D/D Converter modification kit for the OPPO BDP-103 Universal Network 3D Blu-Ray Disc Player.

The above two products are part of the newly introduced Sonoma Series that will also include the Merlot DAC, D/A Converter/Headphone Amplifier and the Pinot A/DC to be launched in 2016.

Syrah Server – features:

  • Connects directly to the Merlot DAC via USB.
  • Easy and intuitive remote control via iPad or Android devices.
  • Plays any audio file from internal, external or NAS storage.
  • Streaming via DLNA.
  • Automatic ripping from external drive.
  • Automatic retrieving of cover art and metadata from database. dagostino_CES_2016_2

OpBox – features:

Adds PLink output to the OPPO BDP-103 for direct digital link to the Merlot DAC.

Captures all native audio data from any source supported by the OPPO BDP-103 and sends it to the Merlot DAC for conversion to analogue.

Supports very long distances while providing galvanic separation (via ST Optical) between the OPPO BDP-103 and the Merlot DAC.

Simple installation.dagostino_CES_2016_3

Coming Q2 2016, BSC Audio will be introducing the i3, its first Integrated Music System.

In collaboration with Andreas Koch (Playback Designs) and Bret D’Agostino (BSC Audio), the BSC Audio i3 will integrate a high bias class A/B 175 Watt amplifier with discrete ladder volume control and hi-resolution, DSD capable DAC.dagostino_CES_2016_4

i3 – features:

Plays any audio file from external analogue or digital source.

Features a full Android based operating system allowing easy access to a wide variety of Android Apps.

A complete all-in-one audio solution for analogue, digital and streaming sources that provides true high fidelity performance.

 

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Mytek Digital’s “Brooklyn,” Digital-to-Analogue Converter (DAC), linestage, and headphone amplifier is now shipping. (US MSRP $1,995)

Says Michał Jurewicz, Founder and President of Mytek Digital: “The Brooklyn DAC is one of the world’s first stand-alone, high-performance DAC with MQA® technology. It’s a new design from the ground up, with a brand new 32bit/384k USB Class2, driverless on Mac and all Linux streamers, and offers superior sound thanks to the new generation Sabre chipset. It’s ready for upcoming hi-res MQA streaming (up to 384kHz), and it plays all digital formats including DSD256, with a theoretical dynamic range of 130dB. The Brooklyn also offers high-quality analoue input stages (both line-level and MM/MC phono), and balanced headphone outputs”.Mytek_Brooklyn_CES_2016

Prime among the Brooklyn’s features is hardware-based decoding for MQA® (Master Quality Authenticated) with no need to increase bandwidth beyond what is needed for CD-Quality streaming. Says MQA creator Bob Stuart, “You can take an MQA-encoded file, play it anywhere, and it will sound better than CD.”

MQA files are backwards compatible; they can be played back without decoding, and the “result is better than CD-Quality”. However, when properly decoded, MQA files deliver the sound of the original master recording that the artist approved in the studio.

Mytek’s Brooklyn also offers:

  • Digital Inputs: AES/EBU, S/PDIF x 2, USB2 Class 2 (32 bit integer, no driver for Mac nor Linux Streamers), and Toslink/ADAT; also SDIF3 DSD, up to DSD256, on 2x S/PDIF.
  • Built-in analogue preamplifier with stereo analogue RCA inputs selectable among Line Level, Moving Magnet, or Moving Coil phono.
  • Stereo analogue outputs on RCA and XLR jacks (simultaneous).
  • Word Clock (In and Out) on BNC jacks.
  • Mytek’s proprietary Femtoclock GeneratorTMminimizes internal jitter, to below 1 picosecond.
  • Dual-mono headphone playback, with high-current amplifier (500mA, 6 Watts) designed for hard-to-drive headphones. Optional adapter (2 x ¼-inch phone plugs to 4-pin XLR) enables balanced headphone operation.
  • Volume control is selectable, either by an analogue attenuator with separate settings for headphone and main outputs, or by a 32-bit based digital attenuator with 1dB steps.

The Brooklyn comes with a worldwide power supply and infrared remote control. The Brooklyn is universal-remote-control capable, and can accept external 12V DC power or battery. The Brooklyn’s warranty is two years.

Mytek’s Brooklyn is available now at a US MSRP of $1,995.

 

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Auralic North America Inc. and its parent company, Auralic Limited, announce it is to be the first developer of a complete line of high-resolution audio streamers to offer fully implemented capability for two of the industry’s significant new technologies: MQA® decoding and the RoonReady® integration.CES_Logo_sm

Both these technologies will be demonstrated at the 2016 CES, and will be available soon afterwards via firmware update from AURALiC’s Lightning DS software platform. MQA decoding will be available for all three Auralic’s streamer models: Aries, Aries LE and Aries Mini. The RoonReady capability will initially be available for the Aries and AriesLE model streamers, with support for the Aries Mini in progress.

As TIDAL streaming is already integrated into the Lightning DS software platform, all three of Auralic’s streamer models will be ready to handle TIDAL’s launch of MQA-encoded music.

During the CES, Auralic will stream TIDAL and MQA exclusively, and will also be demonstrating the RoonReady capability.

Xuanqian Wang, AURALiC’s president & CEO, pointed out that “with Aries and Aries LE streamers fully decoding MQA music, they bring the MQA technology to any existing DAC on the market. (The Aries Mini has its own built-in DAC.)

After more than two years developing and refining the Lightning DS streaming platform, we are building our own eco system, achieving our goal of repositioning Lightning DS from being a hardware control software to a complete music management system, helping people explore their music.

Considering that we first demonstrated a prototype of the Lightning DS at the 2014 CES, we have grown tremendously as THE streaming solution for high-resolution music, making the impossible possible.”

In other news, AUralic will make available an iPhone version of its Lighting DS app, with full functionality, soon after CES.

Auralic are in Venetian Suite 29-122 during the 2016 CES, January 6-9.

 

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Pass Labs’ Xs Phono Preamplifier costs $45 000 and is a dual-chassis, completely dual-mono phono stage (even the outboard power supply is entirely dual-mono, after the single power cord from the wall outlet).

Xs Phono was an in-house design exercise, developed over the course of over two years with the Pass Labs design team aiming at creating a new reference. Lead designer Wayne Colburn commented, “We tend to do well with products that we want for ourselves. Some of it is purely for us to have a reference.” The XsPhono improves upon Pass Labs’ XP-25 phono stage (US MSRP $10,600) in nearly every way.pass_labs_xs_phono

Improved shielding (resulting in lower noise), more accurate RIAA compensation, and the use of custom-made capacitors and shock-mounted, gold-clad custom ceramic circuit boards designed for RF applications all contribute to moving the Xs Phono up “into a different league—lower noise, better dynamics, all those things” says Colburn.

The Xs Phono Has three pairs of inputs with each having its own separate, directly connected stereo phono stage with no switches or relays in the signal paths to the first amplification stages. The result is that the Xs Phono (including its dual-mono power supply) contains 13 circuit boards. The Xs Phono is, in effect, three separate phono stages housed in one chassis.

Pass Labs’ Xs Phono Dual-Chassis Phonostage is powered by its dual-mono outboard power supply, the chassis of which has a form factor identical to the XsPhono’s control chassis. The power-cord inlet connects to two totally independent left and right power supplies, each with its own transformer, filtering, and regulation. The control section has its own regulated power supply as well. The power-supply chassis connects to the Xs Phono’s control chassis by means of two power cables fitted with PowerCON locking connectors. The power supply has no on-off or Standby switch, in that the Xs Phono is designed to remain powered-up at all times.

On the front three large knobs control resistive loading, capacitive loading, and gain. Four small buttons provide for input selection, memory recall of settings for all three inputs, high-pass filter (rumble filter), and phono muting.

The Xs Phono allows selection of resistive loading between 30 Ohms and 47k-Ohms; capacitive loading between 100pF and 750pF; and gain between 56dB and 76dB. The active value will always be indicated by an illuminated LED.

The selectable/defeatable high-pass filter or rumble filter imposes a -3dB roll off from 20Hz and below, to remove unwanted sub-sonic frequencies. When the high-pass filter is not engaged, the Xs Phono’s low frequency extension is to below 5Hz.pass_labs_xs_phono_internal

Xs Phono can output a single-ended (RCA) signal, a balanced (XLR) signal, or both at the same time. This permits, for example, providing a signal to an analogue-to-digital converter or a digital-audio recorder at the same time as to a line stage or preamplifier.

Each of the Xs Phono three pairs of stereo inputs is served by a memory-recall function that saves the settings for resistance, capacitance, and gain. Once the optimal settings for a particular cartridge have been determined, pressing the “Save” button makes those settings the defaults for that input, always engaged upon the selection of that input.

 

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Alexx is the fourth all-new loudspeaker from Wilson Audio in as many years. “It may be intuitive to assume the Alexx replaces the company’s MAXX, in that it is Wilson’s latest entry into the large speaker segment just below the Alexandria, but, in reality, the comparison with the MAXX begins and ends there. Instead, the Alexx is an altogether more complex and sophisticated loudspeaker” say the company.Wilson_alexx2

Alexx incorporates Wilson’s latest thinking on loudspeaker design in the areas of time-domain geometry, driver configuration, and driver development. It is the latest beneficiary of Wilson’s ongoing analysis of low-resonance cabinet strategies via laser vibrometer and Alexx draws from both recent designs such as the Alexia and the Sabrina, as well as the WAMM—Dave Wilson’s up and coming “Magnum Opus”—with which it was developed concurrently.wILSON_alexx1

All-new “MTM” Driver Geometry:

The “MTM” (Midrange-Tweeter-Midrange) geometry generally refers to a driver arrangement where two midrange drivers flank a tweeter vertically. Wilson has invariably employed a modular approach which the company say has several benefits, one being the ability to optimize the enclosure properties for each driver. The separate modules in the MTM can be made to be adjustable—both in terms of the relative position of each driver module one-to-another in the time domain, as well as having the ability to optimise each driver’s dispersion characteristics within the array.

Alexx’s midrange is divided between two different drivers, each covering a portion of the mid-band area. The seven-inch is the Wilson mid, first introduced in the Alexandria XLF. The 5.75-inch is the midrange driver most recently found in the Sabrina. The frequencies covered by the two drivers are therefore expanded upward, the two together covering a broader portion of the midrange. Each of the two drivers is optimised for the portion of the mid-band best suited to their strengths.Wilson_alexx_4

All-new Woofer Design:

The all-new ten-and-half-inch and twelve-and-a-half-inch woofers incorporated into the Alexx were first developed for the WAMM project and work together with Alexx’s ultra-low resonance woofer enclosure, which now features an angled baffle for better time-domain integration.

Adjustability  of the  Upper Modules in the Time Domain:

For the first time, a Wilson array features two stair steps, one for each of the two midrange modules. This allows for precise adjustment of both the time-alignment of the drivers, as well as the axis relationship of the driver to the listening position.

The adjustment mechanism of the lower mid module and the tweeter module and the tweeter is similar to what is found in the Alexia, and evolved from a similar system for the upcoming WAMM.Wilson_alexx3

XLF (Cross-load Flow) Port System:

Alexx joins the Alexandria XLF with its ability to move the port to either the front or rear of the bass enclosure. While this does not change the anechoic behavior of Alexx in the deep bass, it does enable it to more seamlessly interface with a larger number of rooms. Typically, in bass-lossy rooms, the port will be located on the rear; within bass-heavy rooms, the port moves to the front of the enclosure.

Other Important Details:

The latest version of the Convergent Synergy Tweeter is deployed in the Alexx and in this configuration is crossed over slightly higher as a direct result of the concentric two-driver mid strategy.

The resistor plate, which contains the protection and tuning resistors, is now located on an upper bevel on the rear of the speaker enabling easy sight lines and access.

Price   (U.S. MSRP)—$109,000.00 (pair)

 

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London’s headroom show (January 29th-30th 2016 ) will debut the world’s first noise-isolating electrostatic earphone system from SHURE, the new KSE 1500 which combines a Sound-Isolating™ electrostatic earphone with a matched high-res SHURE USB amp/DAC.kse1500_application_10_cols

Electrostatic technology, which until now has never been applied to earphones, provides the fastest, most accurate transient response available the company says. The Sound-Isolating™ electrostatic earphone and matching amp/DAC provide a unique system that operates “holistically, giving unmatched clarity and detail with extremely high fidelity”.

Each earphone features a virtually weightless, massless diaphragm surrounded by an electrostatic field generated by back-plates that manage charge-oscillation. The earphones connect to a rechargeable amplifier using an advanced Kevlar cable, specifically engineered to work with the electrostatic diaphragm and provide the correct operating bias.

The 24/192 USB amp/DAC is compatible with Mac, PC, iOS and Android devices, with all navigation and control performed via a single wheel. A colour screen gives source, EQ, volume information and more, plus each KSE 1500 is supplied with a comprehensive accessory pack.

headroom is a unique two-day experience that brings together the world’s leading portable audio manufacturers and showcases the latest products, technology and trends within an exclusive environment: Europe’s foremost recording, mastering and production studios, Metropolis.

 

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Last year, Aavik Acoustics released their very first amplifier, the integrated amplifier Aavik U-300 and now the Danish company is to introduce two new amplifiers to the 300 series: the Aavik P-300 power amplifier and the Aavik C-300 preamplifier.

The two new Aavik Acoustics amplifiers will be introduced at the 2016 CES in Las Vegas.

The Aavik P-300 power amplifier devices never stop conducting current. This means that the amplifier circuitry never has to deal with residuals such as switching spikes and device “latchings”.Aavik-P300_front_white_bg

The Aavik P-300 has an ultra short and simple signal circuit design, where all gain and feedback is performed by a single transistor pair. This short signal path gives the Aavik P-300 a gain structure with extremely low distortion and a more than 90-degree phase margin for amplifier stability.Aavik-P300-rearpanel_white_bg

The Aavik P-300 has four 600 W power factor corrected resonant mode power supplies. The in total 2400 W power supply combined with the extremely large electrolytic power banks allow the Aavik P-300 to deliver peak currents in excess of 80 A.

The Aavik C-300 preamplifier

The Aavik C-300 is equipped with two built-in DACs (PCM and DSD) and a phono section. It also comes with three line inputs: two single-ended and one balanced, and an RCA and an XLR output.aavik_front_whitebg

The virtual ground circuits eliminate the possibility of injecting dirty ground noise into the delicate audio circuits.Aavik-C300-rear_white_bg

Design

Aavik Acoustics’ inspiration from Scandinavian design traditions is easily found in the Aavik P-300 and C-300 amplifiers with their simplistic functionality and their beautiful minimalistic design. All chassis in the 300 series are made of anodized aluminium.

 

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Dave and Daryl Wilson discuss the new Alexx, its new technologies and architecture—and its relationship both to the speakers that precede it, as well as the upcoming WAMM.

Alexx is the fourth all-new loudspeaker from Wilson in as many years so sit back and enjoy.

 

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Thiel Audio will be showcasing the latest generation SmartSub™ 1.12 at CES 2016 in Venetian suite 30-110

The latest generation SmartSub from Thiel will feature sophisticated app-based control and advanced room correction, paired with a Thiel long excursion 12-inch driver and DSP-controlled 1250 watt amplifier.Thiel_sub_CES_2016

Features 

  • Connects to your Wi-Fi network for phone/tablet app-based control
  • Six User-accessible Sound Mode Presets
  • SmartSub XT Processing, a sophisticated acoustic correction algorithm to precisely adjust onboard parametric equalization to help the SmartSub overcome complex acoustic challenges defined by the dimensions of the room
  • A long-excursion 12-inch woofer featuring a rigid cast frame and an aluminium cone
  • An energy efficient DSP-controlled switching amplifier, capable of delivering 1250 watts of continuous power.
  • PC control software, enabling access to control of advanced settings such as low and high-pass filter adjustments, phase adjustments, 5-Band Parametric EQ and SmartSub™ XT Auto EQ parameters in the SmartSub app.
  • The most commonly used features of the subwoofer are available to all users via a basic infrared (IR) remote control (included). The IR remote provides control of system power, volume, muting, input source, and sound mode

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Located in the heart of Nashville’s music scene, Aurora merges the heritage of Thiel Audio with the vibrant legacy of Music City. As an “ultra-high definition” live streaming music venue, Aurora is one of the few places in the country where fans can unite with their favourite musicians and emerging artists live and in ultra-high definition video and lossless audio which all sounds very cool indeed.Thiel-Logo-2014

Aurora houses a live performance stage, designed with musicians and industry tastemakers in mind. “It is the perfect venue for intimate concerts, artist showcases, record release parties, film screenings and industry related events. It is also the perfect setting to experience Thiel Audio’s refined loudspeakers” says Thiel Audio’s press release . The state of the art, acoustically correct listening room, complete with 4k video, enables guests to play music, view converts or movies, go online and even access social media.

“We have created this beautifully appointed space so that our guests might Live inside the Music – the true essence of the Thiel experience,” says Thiel Audio Chief Brand Officer Rebecca Abrahams.

“This immersive, fully interactive space combines 40 years of dedication to acoustic excellence while reaching out to a new generation of luxury brand consumers, looking for next generation high performance audio products,” she adds.

Why Aurora? Thiel says the creation of an entertainment division was a natural progression. In a world of device- driven music on demand, the company wanted to follow luxury brand consumers who are on-the-go, connected to content via phones and tablets across devices while simultaneously showcasing Music City to a worldwide audience – live and in ultra-high definition.  A sophisticated HD streaming venue, it also helps solve another problem for our record label neighbours in Nashville – vanishing CD sales.

Aurora is scheduled to open March 2016.

 

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At just under £20 000 the Polish Zeta Zero Venus Picolla are a substantial investment, but they are gorgeously built and something of a work of art Janine Elliot thinks? How do they sound?zetalifes

“The sound was very large, covering the soundstage with mighty detail and with smoothness only ribbons can do. Vocals were precise and inviting and all sounds carried a good depth in front and behind, and a reasonable width. Some people see in colours and for me the colour was a healthy green; not red or yellow brightness or a dull or boring blue or grey. This was exact, just as it should sound.”

Read the full review of the Zeta Zero Venus Picolla Loudspeakers

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French based Cabasse make the renowned Sphère loudspeaker system, but they also produce more modestly priced items.Here Dominic Marsh takes a listen to the Stream 100 amplifier (£499) and Surf loudspeakers (£379)

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“Paired with the Surf speakers they produced a powerful and pleasing sound that I could not really level any criticism at, save a slight rolling off at the extreme top end and I do mean extreme, which shouldn’t perturb the average listener. ”

Read the full review of the Cabasse Stream 100 amplifier and Surf Loudspeakers

 

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London’s headroom show, which offers music lovers the chance to try the largest range of demonstrable headphones in the UK, will be showing Questyle’s new QP1R high-resolution digital audio player (£699) 23145826179_ee04e4fc1b_z

Questyle Audio’s new high-performance QP1R high-resolution digital audio player will be available to demonstrate at the headroom show (January 29th-30th 2016 ). Headroom is a unique two-day experience that brings together the world’s leading portable audio manufacturers and showcases the latest products, technology and trends within an exclusive environment: Europe’s foremost recording, mastering and production studios, Metropolis.

The new QP1R is a high-performance, high-resolution portable music player (DAP). Designed to provide on-the-go music lovers and audiophiles the same hi-fi listening experience as they’d get at home, the QP1R, with its impressive arc body and twin steering wheel design, supports DSD128 and 24/192kHz PCM playback and uses a pure Class A headphone amplifier with discrete transistors and components.

 

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McIntosh Laboratory has launched a new feature-packed processor. The new MX160 replaces the existing MX151 and brings the McIntosh sound and build quality to home cinema connoisseurs everywhere.

The new MX160 supports RoomPerfect™ room-correction technology, which adjusts the audio to the specific acoustics of the room. It also supports new object-based 3D audio formats, including Dolby® Atmos and Auro-3D®

There’s support for Dolby TrueHD, DTS-HD Master Audio™ and, of course, other popular legacy formats including DVD and Blu-ray™. All audio is processed according to the McIntosh sound and performance standards, not found in any other home cinema processor.

There’s full support for 4K Ultra HD native sources, plus up-conversion to 4K Ultra HD for the best possible picture quality from 1080P, 720P and 576P/480P inputs. The MX160 offers an incredible eight HDMI inputs and four outputs for current and future TV compatibility, plus offers a 3D video pass-through feature. An HDBaseT output is also included to provide degradation-free, uncompressed digital video and audio, over long cable runs between the MX160 and projectors or televisions.

The MX160 features balanced outputs for 11.1 (also known as 7.1.4) audio channels, plus four auxiliary channels for use in bi-amping speakers or driving additional subwoofers. For digital audio sources, the MX160 features four optical and three coaxial inputs, one USB (up to 24-bit/192kHz data), plus an XLR connector. For analogue audio, there are two sets of stereo balanced inputs, four sets of stereo unbalanced inputs, a dedicated phono input, plus a set of 7.1 multichannel unbalanced inputs.

All analogue and digital connections can be custom-named for simplified system operation and matched in volume level for a smooth transition between sources. Bass and treble controls offer further audio fine-tuning.

The classic black glass front panel, knobs, illuminated logo and custom-machined brushed- aluminium end-caps make the MX160 a rousing addition to any home cinema system. It can be paired with a variety of McIntosh amplifiers and speakers for a complete home cinema system; UK distributor Jordan Acoustics is happy to advise.

Like all its products, the MX160 is handcrafted in the Binghamton factory (NY) and boasts classic 1950s styling with contemporary features and performance.

The MX160 sells for £13,995 and is available to order now from Jordan Acoustics in the UK

Martin Logan make the fabulous (and massive) Neolith electrostatic loudspeaker and it is electrostatics they are best known for, but they also produce a wide range of smaller and more accessible loudspeakers and here Dan Worth takes a listen to the company’s £899 Motion 15 standmounter.

Motionartys

 

“They won’t ever get caught in a speed trap, but the top-end has great pace and the bottom-end doesn’t lag behind or ever seem slow, balancing nicely for a more natural presentation.”

Read the full review of the Martin Logan Motion 15 Standmount Loudspeakers

 

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Chord Electronics will be showing several of its latest products at CES 2016, including its new reference-level DAC/preamp/headphone amp, DAVE (£7,995). Chord’s main demonstration system will comprise its Reference Series components, plus DAVE (which is the company’s flagship DAC and sits in the Choral range). The system will be complemented by Vienna Acoustics’ flagship loudspeaker, The Magic, all wired with Kubala-Sosna Elation cables.CHORD_DAVE_HI_WHT CROPPED

Chord Electronics will join its US distributor, Bluebird Music, in room 35-207 (Venetian Tower) which will also be home to Audeze and Vienna Acoustics for the event. Attendees can meet Rob Watts, Chord’s digital design guru, Maria Gansterer, CEO of Vienna Acoustics, plus most of the UK Chord Electronics team. Chord will also have a full range of DAC/headphone amps including the award-winning Hugo TT, Hugo and Mojo for show visitors to experience.

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Dynaudio has announced the launch of the new Xeo 2 priced at. The firm’s smallest and most accessible system to date delivers a sound that completely belies its compact cabinets says the Danish company’s press release. dynaudioxeo2

Featuring wireless connectivity and DSP technology the new model works with any source you desire, with simple plug and play functionality.

A typically clean and understated Danish design, the finish and solid build of Dynaudio’s latest model promises to enhance any environment it is placed in, with Xeo 2 being available in satin white or satin black finishes.

 

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Roksan Audio have been considered a leading force in the analogue audio world since their  first product, the Xerxes record player, was released in 1985.oxygene2_20151123_0687

The Oxygene 30 Turntable boasts an elegant, minimalist aesthetic inspired by the popular Oxygene range of hifi electronics. But beneath its striking gloss-white exterior is an innovative design that draws heavily from the Xerxes 20Plus.

The Oxygene 30 utilises a complex, multi-layered, four-piece plinth design with a new high-mass mounting block for housing the motor. The new motor mount ensures that unwanted resonances from the motor are transferred into the block and significantly attenuated before reaching the top plinth. It also improves motor alignment for optimal belt tension and reliable speed stability.oxygene2_20151123_0688

The central objective behind the multi-section plinth is to isolate the core components of the turntable, allowing not only the motor, but also the tonearm, cartridge and record platter to perform at the highest possible standard. Between the plinth layers, high-quality isolating materials are used for tuned decoupling.

The Oxygene 30’s two-piece platter utilises a solid aluminium alloy, which forms a completely dampened, resonant free surface when the inner and outer platter are combined. Like the Xerxes 20Plus, the Oxygene 30 also uses a removable spindle cap, which reduces bearing noise transmission through the record surface.oxygene2_20151123_0693

The Oxygene 30 is supplied as a package in the UK; just install your preferred cartridge and you’re ready to integrate it into any vinyl-ready hi-fi system. The turntable is supplied as standard with Roksan’s XPS-7 power supply/speed controller, and inside the box is a Pro-Ject 9CC Evolution tonearm. The engineers at Roksan have worked extensively to accommodate this popular 9” carbon fibre tonearm on the Oxygene 30, including the development of a brand new mounting plate.

The Oxygene 30 turntable perfectly represents the ethos behind the Oxygene range, as well as Roksan Audio’s wider brand philosophy. The overall design is compact yet highly resolved, and the sound performance is striking in its clarity, detail and musicality. The Oxygene 30 is a new must-consider product in the world of high-end vinyl playback.

SRP £2,500.00

 

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The Stratos combines USB DAC with A/D converter, preamplifier, MC/MM phonostage and headphone amp in one surprisingly small, portable box. Built with the audiophile in mind, it supports PCM playback up to an impressive 32bit / 384kHz and DSD up to 11.2M.ADL STRATOS front

If you’re looking to convert your vinyl or other analogue sources to digital, or to record web-streamed audio, the Stratos offers a range of options to help you obtain the best sonic results.

At the same time, if it’s a powerful headphone amplifier you’re after – one that can drive any pair of headphones on the market, again the Stratos delivers. Whether you use the latest generation of earbuds or the most dynamic audiophile headphones available, the Stratos will reveal the true character of your music.

The Stratos may be small, but it contains an amazing amount of technology…

ADL Stratos key features at a glance

  • XMOS high speed USB 2.0 input.
  • Audiophile-grade DAC which supports PCM playback up to 32bit / 384kHz and DSD up to 4x (11.2M).
  • High performance A/D converter for recordings via analogue inputs, enabling conversion of analogue sources into high resolution 24bit / 192kHz digital audio files over a choice of USB, optical and coaxial digital outputs.
  • In the case of vinyl recording, no need to worry about a phonostage: the Stratos includes the requisite input, with simple switching between moving magnet (MM) and moving coil (MC) or line input.
  • Electronic volume control allows use as a multi-functional digital and analogue preamplifier that can be connected direct to a power amp or active speakers. Volume control has a memory function, so volume can be set at different levels for each input (phono, line, USB).
  • Headphone amplifier with ample drive for good headphones and its own volume control.
  • Three two-channel headphone amplifiers, two of which power the XLR (4-pin) balanced output, while a third powers the 6.3mm stereo phone jack output. All three deliver superb drive capabilities, being able to drive headphones from 12 to 600 ohms at >120dB dynamic range.
  • Convenient gain switch for recording attenuation: Adjust the recording attenuation to avoid overload distortion during recording: -6dB, 0dB or +6dB (Rec/db signal light comes on when input level exceeds circuit gain).
  • External power supply; while a USB-powered device might be convenient, it won’t develop the power required for high resolution playback, so the Stratos features a dual power supply system: the 5V USB bus powers the input circuit only, while all other circuits are powered by an external 15V power adaptor.

The ADL Stratos is available now priced at £995 (including VAT).

 

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